Finding Her People: Daniella Rubinovitz’s Path to Artistic Connection

Discover the journey of Daniella Rubinovitz, an Amsterdam-based sculptor whose large-scale works bridge the natural world and everyday life.

Daniella Rubinovitz, born in Rotterdam, the Netherlands, is an Amsterdam-based sculptor known for her large-scale works. With a Bachelor of Fine Arts degree from Tufts University in Boston, she has developed a unique artistic language centred on interaction, space, and movement. Her sculptures, crafted in materials like steel, wood, and bronze, invite public participation and engagement.

Beyond aesthetics, Rubinovitz integrates deep emotional themes into her work, drawing from her background in art therapy. She employs humour and accessibility to make art an inviting experience, ensuring that each installation resonates with its audience. Her technical expertise allows her to navigate every stage of creation, from sketching to production and installation. Utilizing diverse materials such as stone, ceramic, glass, and paint, she infuses her work with innovative elements that reinforce its storytelling potential.

A key aspect of her artistic philosophy is community involvement. Through coaching techniques, she integrates local participation workshops, transforming her art into a bridge that connects people across generations. This commitment to inclusion is evident in her various projects, including both temporary and permanent outdoor installations. Notably, her sculpture Giant Pink Glasses was acquired by the city of Amsterdam.

Our Role in Rubinovitz’s Career

Despite her deep engagement with sculpture, Rubinovitz initially worked in isolation. Her art degree from the U.S. and subsequent career in industrial design left her without strong connections to the European art scene. After moving back to the Netherlands, she spent years creating ceramics and sculpture, but she lacked a local network.

In 2021, she discovered Sculpture Network and the European organization became a turning point in her career. Seeking in-person connections and local opportunities, she found a supportive community of sculptors and art professionals willing to share insights and advice. This membership opened doors to collaborations, exhibition opportunities, and professional growth. “I have attended several local events where I found my people. I found the members to be sympathetic and open about sharing local tips of the trade. I didn’t realize how important this has been for me in understanding how public sculpture works in Europe”, she said.

Her first major connection through Sculpture Network was during an art trip to Bilbao, where she met fellow artist Carla Rump. They were casually assigned as roommates, and their friendship evolved into a professional partnership. Together, they successfully applied for a call found on our opportunities page and were granted to participate in the Grindelwald Land Art Festival in Switzerland – where they will build their project in June 2025.

In December 2024 she hosted a Sculpture Network Dialogue inviting an enthusiastic group of sculpture lovers in her atelier. A Sculpture Network event also led to Rubinovitz securing an artist residency in Mallorca at the Palmyra Sculpture Centre, a fellow member Institution.

In March 2025, she participated in a trip to Madrid and the Extremadura, where she experienced an exceptionally well-organized program at an accessible price, allowing artists from various backgrounds to join. Highlights included guided tours, exclusive VIP access to ARCOMadrid, and visits to prominent museums such as Museo de Arte Contemporáneo Helga de Alvear and Museo Vostell Malpartida. The latter visit was particularly special due to the presence of Anemone Vostell, a family member of the museum’s namesake, who provided an enriched experience. What made this trip even more special were the participants, not only artists but also art professionals and art lovers. This gave her the opportunity to engage with a major art collector over breakfast, adding another layer to her professional network.

Since joining Sculpture Network, Rubinovitz has exhibited her work in the Netherlands, Belgium, and the UK, with upcoming shows planned in Switzerland and Spain. She continues to expand her artistic reach, leveraging the connections and opportunities fostered by the organization.

We are proud that Rubinovitz sees Sculpture Network as an essential tool in her artistic journey, providing both professional development and a sense of belonging in the European sculpture community. “I feel that I have just started to scratch at the surface of what is possible within Sculpture Network” she said. As she continues to create, collaborate, and exhibit, we are glad to remain a vital part of her evolving artistic path.

Ilaria Specos wrote this text in English.