FG 3

cast, handbuilt, black chocolate clay, combustible materials, engobes, photo Marco Wittkowski
Babette Martini, Ceramics, Clay

Resin, pine cones "21st Century" collection, Wall sculpture
Radu Alina, Natural materials, Others

Edition von 15Stk FG ist die Abkürzung der Blume „Froschgoscherl“ (Löwenmaul). Die ersten Skulpturen wurden von ihren erotischen Farben und Formen inspiriert. Sperrholz-, Kunststoff- oder Metallstreifen werden unter Spannung miteinander verbunden (geleimt oder geschraubt), wodurch sie wodurch sie sich zu Kurven verformen. Löst man einen von dem anderen, verändert sich die Gesamtform. Die Objekte verformen sich durch ihr Eigengewicht und je nach dem wie herum man sie hängt. Die Objekte haben kein Oben und kein Unten und können beliebig herum gehängt werden, wodurch der Eindruck entsteht, als hinge immer wieder ein neues Objekt (Gesamtform) an der Wand, obwohl die Struktur immer die gleiche ist. Licht und Schatten spielen ebenfalls eine Hauptrolle, da enge Zwischenräume dunkle und weite Zwischenräume helle Flächen entstehen lassen. Farben unterstreichen die Formen und verstärken ihren Ausdruck. ________________________________ Edition of 15 pieces. The sculpture is dismountable and can be hanged in different directions. (It is hanged at the wall with a nail of specific length attached in the package) The sculpture is inspired by a flower called snapdragon. It is inspired by the flower´s erotic shape and colors. The visible structure of the wood gives an sensitive impression. The thin and sharp blue line gives structure and orientation. The objects are deformed by their own weight and depending on the direction they are hanged.
Alexander Lorenz, Wood, Metal

cast, handbuilt, black chocolate clay, combustible materials, engobes, photo Marco Wittkowski
Babette Martini, Ceramics, Clay

Exotic wood, natural materials, resin, internet wire "21st Century" collection
Radu Alina, Wood, Natural materials

Mehrteilige Skulptur aus massivem Eibenholz
Regine Jonas, Wood, Natural materials

This is a series of sculptures which has been influenced by the animation character as a symbol of saving the environment and Aziz's goal has been to show how nature is being destroyed and if we continue in this way it wouldn't be left for future generations. he carrying the fish represent saving the oceans and sea life 10cmx10cmx21cm
Aziz Anzabi, Bronze, Metal

cast, handbuilt, terracotta, combustible materials, engobes, photo Marco Wittkowski
Babette Martini, Ceramics, Clay

Natural materials ( Oak lid covers ), resin "21st Century" collection, Wall sculpture
Radu Alina, Natural materials, Plastics

Menschen in unserer Gesellschaft sind: klein, gross, dick, dünn, bunt, fröhlich, traurig, reich, arm, kleinkariert, grosszügig, ideenreich, klassisch, modisch, faul, sportlich, auffällig und neugierig. Zu welchen gehörst du?
Ruth Boxler, Wood

Skulptur aus mehreren Teilen massiven Eibenholzes
Regine Jonas, Wood, Natural materials

cast, handbuilt, black chocolate clay, combustible materials, engobes, photo Marco Wittkowski
Babette Martini, Ceramics, Clay

In the summer of 2019 Gudrun went on a journey with her father Ólafur, to the old trails of the Tungnaá barren wasteland and Jökulheimar, there Gudrun took photographs for her Barren wasteland series. In this exhibition they merge photographs taken up to 70 years apart. As the art historian Aldís Arnardóttir describes: “The forces of nature are unpredictable and nowhere are the opposites as great as in this barren wasteland. Where the white glacier's edge has retreated and wide areas of black sand and wasteland appear. Gudrun looks to the past, stories of the land and personal memories, which provides her with the basis for the work of collage where the present lies harshly over the land.
Gudrun Nielsen, Metal, Plastics

Klasse Judy Fox Sommerakademie in Salzburg 3 Wo Modellierung nach Live-Modell Victor aus Porto / Portugal
Konrad Feichtinger, Mixed Media, Natural materials

The best way to live your life don't need to copy someone else. We should walk our own way . Because copying someone means just following other people's journey . This 5th limbs artwork represents our personality
Abdur Rahman, Others

Gipsmodell / Kubismus .
Andreas Rimpel, Plaster, Wood

Meine Trinity steht für "Körper - Geist - Seele". Sie formt sich wie ein Schlüssel ins Leben - unzertrennbar, unverzichtbar - keines darf vernachlässigt werden. Ich kann diese Skulptur in verschiedenen Größen anbieten. Sie eignet sich vom Volumen her auch als große Installation im Außenbereich. Durchblick, Rahmen, Fokussierung durch die Öffnungen.
Cornelia Hammans, Bronze, Metal

The figure descends from fairy tales, myths and transcendental spheres of fairy tales, myths. She appears white, almost transparent, but with fine speckles of rouge, modelled as an Elizabethan ideal of late Renaissance beauty. Her feathery hair is like a snow flurry crown. The purity is nevertheless disturbed by the uncanny illumination of the eyes, which – in a reaction to tender strokes – begin to cold glow.
Margarete Adler, Wood, Plaster

Adamski-type spacecraft, Replica, assembling
Savako, Installation

Meine Trinity steht für "Körper - Geist - Seele". Sie formt sich wie ein Schlüssel ins Leben - unzertrennbar, unverzichtbar - keines darf vernachlässigt werden. Ich kann diese Skulptur in verschiedenen Größen anbieten. Sie eignet sich vom Volumen her auch als große Installation im Außenbereich. Durchblick, Rahmen, Fokussierung durch die Öffnungen.
Cornelia Hammans, Bronze, Metal

I created this work to show that inside and outside of humans are different. Nobody can know how kind you are. This is a sculpture of a human sitting down
Aziz Anzabi, Bronze, Metal

Live with Sweep Bronze + V2A Stahl
Cornelia Hammans, Bronze, Metal

200 cm high plaster model. It will be casted in bronze to show it on the Architecture Exhibition "Time - Space - Existence" of European Culture Centre in Venice. Opening 22.May to 21. November 2021. It will be setup inside Giardini della Marinaressa near Giardini Biennale Venice.
Cornelia Hammans, Bronze, Metal

Kirschbaum, auf Metallplatte montiert
Lotti Meschter, Wood

CARACTERÍSTICAS Abstracto. Para su elaboración se utiliza tabla de roble antiguo y madera de boj. Es un cuadro, quizás un bajorrelieve. Con las tablas de roble se ha formado el fondo del cuadro y el marco. Con el boj se han ido realizando figuras que se han ido uniendo entre ellas y pegado al cuadro. El acabado general es el lijado y encerado. DESCRIPCIÓN El auzolan es una figura o forma de trabajo que todavía persiste en la zona norte de Navarra. Significa trabajo vecinal y es una prestación que ofrecen los vecinos de un pueblo de manera gratuita en beneficio de lo público. Se reúnen las gentes del lugar con el objetivo de realizar mejoras, arreglos o acondicionamiento de lugares para determinado uso. Cada persona aporta sus conocimientos, medios de trabajo y herramientas. Antaño por este método se cubrían todas las necesidades generales de una población: traída de aguas, ejecución de caminos, acondicionamiento de edificios públicos, arreglos en el alumbrado, restauración de fuentes, etc. Hoy en día son ejecutados por empresas privadas. En la actualidad está más enfocada hacia aspectos lúdicos y festivos. En el cuadro se representa figuras unidas por un objetivo común. Siempre hay alguno que no participa del trabajo pero se aprovecha de los beneficios.
Angel Iribarren Arlegui, Wood, Natural materials

Thüster Kalkstein, Schwarzweiß-Belichtung, Acryl
Thomas Lucker, Stone

Kirschbaum, auf Metallplatte montiert
Lotti Meschter, Wood

Ahorn, mit Kirschbaumsockel auf Metallplatte Weitere Standort: Belpberg, Sigriswil. Rubigen
Lotti Meschter, Wood

Ahorn, Bitumen, auf Metallplatte montiert
Lotti Meschter, Wood

Andreas Rimpel, Gusseisen / Kubismus
Andreas Rimpel, Metal, Bronze

Birnbaum, vom Wetter geschwärzt auf Metallplatte montiert
Lotti Meschter, Wood

Darstellung einer männlichen und einer weiblichen Figur sich gegenseitig stützend.
Manfred Reinhart, Marble, Granite

Void is an installation about energy, a person who is not there, but whose presence can be presumed, and a solid wind blows from the east. The two are connected, but the 'how' is an open story.
Karin van der Molen, Wood, Natural materials

Motive of the project were dandelions which are present in the nature but are made of acid resistant stainless steel electropolished. They are transferred from micro to macro scale, by modern form but also related to nature.
Mirek Struzik, Metal, Steel

Unsichtbares sichtbar machen, der Seele ein Gewand
Manfred Reinhart, Marble, Granite

Motive of the project were dandelions which are present in the nature but are made of acid resistant stainless steel electropolished. They are transferred from micro to macro scale, by modern form but also related to nature.
Mirek Struzik, Light, Metal

Finaly polished bronze Metal plate powder-coated
Rainer Haindl, Bronze, Metal

Marmorskulpturen
Manfred Reinhart, Stone, Marble

A young man, bald shaven, holding a skull in his hands. We don't know what he thinks, what he feels, who he is. His eyes are closed and he seems lost in concentration, his fingers rest firmly on the skull of another soldier. Was it a young man who died a century ago in France, perhaps? One stares at us, the other looks inside.
Margarete Adler, Plastics

Finaly polished bronze with metal plate, powder-coated
Rainer Haindl, Bronze, Metal

Bunga Raya, with raya meaning celebratory or grand, the flower literally means “celebratory flower”, to reflect the celebration of unity in a multicultural nation.
Anniketyni Madian, Stone, Natural materials

Ibbenbürener Sandstein, Temperafarbe
Claudia Pleß, Stone

Using a pose from skate boarding, this female figurine shows in her body language, a different side of being human
Nicolet Boots, Plaster, Textile

Bronzefigur auf bedruckten Acrylblock
Uwe Schwarz, Bronze, Mixed Media

Translation of Pua kumbu textile pattern that originated came from Borneo, Malaysia
Anniketyni Madian, Wood, Installation

Translation of Pua Kumbu textile pattern into sculpture.
Anniketyni Madian, Wood, Wood

Gummi, Kunststoff, Metall aus der Serie: Orgelpfeifentorsi, 2001/2002
Claudia Pleß, Mixed Media

Bronze Female Figure (40x60) Elegant naked female figure seeking for balance on an egg. The action is terribly difficult to perform but it lets to the uncovering of the true inner balance which leads to real eternal and deep happiness.
Anna Pirrello, Bronze

Translation of Pua Kumbu textile pattern into sculpture.
Anniketyni Madian, Wood, Installation

Wolle, Kunststoff; Holz, Metall aus der Serie_ Orgelpfeifentorsi, 2001/2002
Claudia Pleß, Mixed Media