Hanging Loop reflects on the position of the female body within roles and structures that are difficult to escape. The work speaks of being suspended, constrained, and defined by expectations that have shaped women across generations.
Hanging Loop suggests an upside-down figure made from legs and breasts rather than a complete body. The form remains ambiguous and can be read in different ways. The breasts seem to lift upward, as if the body is trying to look, but there is no head.
The legs form a closed loop, connected without feet, and evoke the shape of a vulva. This loop becomes both body and constraint: a form that holds the figure in place. Made from clay with a rust-like skin, the sculpture suggests a condition that has lasted over time.
