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Be Part of the sculpture network Advent calendar: Perpective Matters

Perspective matters! After 15 years of sculpture network we have learned one thing: what makes our network unique is the diversity of our members` perspectives.

The “apostrophe” campaign for our international festival of contemporary sculpture start'19 inspired you to create unbelievably many interpretations of how a small sign like the apostrophe can be represented in a variety of ways. The biggest difference: the individual point of view.

At the Sculpture Network Lab, too, the focus is on attitude: the perspectives on a wide variety of topics are discussed in an interdisciplinary manner - this is the concept behind the series of events that will continue in Zurich on 13 November.

How does the artists` perspective reveal itself in a work of art? We take a close look and present the most exciting works of our members every week on our social media channels. Whether commenting on current social issues or playing with form, each of the artists makes their own point of view tangible. That's one reason why we want to present three-dimensional art more prominent in the social media: if statements today are limited by 280 characters - then a work of art usually says more than 1000 words.

 

Now the year is drawing to a close and we would like to know more about your perspective: on the year, on Advent, on life and above all, of course, on sculpture.  Send us your favourite photo, your own point of view, your funniest story, your most memorable moments, your most beautiful experience around the sculpture until 17.11. 2019. to adventskalender@sculpture-network.org. 24 submissions will be selected by a jury and presented on our website and our social media channels in December.

 

Gallery

Herbert Hundrich, iLegal Housing 16. 2018, Kunststoff, Polyester, Glasfaser und Pigmente, 64 x 36 x 33 cm
Herbert Hundrich, iLegal Housing 16. 2018, Kunststoff, Polyester, Glasfaser und Pigmente, 64 x 36 x 33 cm
Andrés Montesanto, Emigrante, August 2018, 1,95 x 1,75 x 0,25 m
Andrés Montesanto, Emigrante, August 2018, 1,95 x 1,75 x 0,25 m
Anton Kerscher, Apostroph “ohne Titel”, Edelstahl, Baustahl, Folie, 600 x 250 x 80 mm
Anton Kerscher, Apostroph “ohne Titel”, Edelstahl, Baustahl, Folie, 600 x 250 x 80 mm
Markus Brinker, AposTropfen, Kirschholz geölt, 32 x 15 x 12 cm
Markus Brinker, AposTropfen, Kirschholz geölt, 32 x 15 x 12 cm
Fieke de Roij, Spin around, 2018, Irish blue limestone, 35 x 30 x 10 cm
Fieke de Roij, Spin around, 2018, Irish blue limestone, 35 x 30 x 10 cm
Mariël Bisschops, Apostrophe, ceramics, 18 x 14 x 19 cm
Mariël Bisschops, Apostrophe, ceramics, 18 x 14 x 19 cm
Artem Haag, APOSTROPH, selbstlos, 2018, Robinie gebeizt, 40 x 23 x 10 cm
Artem Haag, APOSTROPH, selbstlos, 2018, Robinie gebeizt, 40 x 23 x 10 cm
Bernhard Keller, Apostroph mal zwei, 180 Grad gedreht ’•2,180°    , 2018, Fichtenholz massiv, 200 x 150 x 21 cm, Foto: Bettina Wettstein, Buchs SG
Bernhard Keller, Apostroph mal zwei, 180 Grad gedreht ’•2,180° , 2018, Fichtenholz massiv, 200 x 150 x 21 cm, Foto: Bettina Wettstein, Buchs SG
Bernhard Wieser, Apostroph (ursprünglich Coreten-tie 1998), Corten Stahl, 67 x 19 x 26 cm [Fotos von Künstler]
Bernhard Wieser, Apostroph (ursprünglich Coreten-tie 1998), Corten Stahl, 67 x 19 x 26 cm [Fotos von Künstler]
Petra Herrmann speaking with Holger Felten
Petra Herrmann speaking with Holger Felten
Angelika Hein speaking with Martin Gessmann
Angelika Hein speaking with Martin Gessmann
Holger Felten with Petra Herrmann and Moritz Ostruschnjak
Holger Felten with Petra Herrmann and Moritz Ostruschnjak
Moritz Ostruschnjak, Martin Gessmann and Alexis Zurflüh discussing
Moritz Ostruschnjak, Martin Gessmann and Alexis Zurflüh discussing
Judith Mann
Judith Mann
Holger Felten
Holger Felten
Martin Gessmann
Martin Gessmann
Moritz Ostruschnjak
Moritz Ostruschnjak
Judith Mann and Jürgen Enninger
Judith Mann and Jürgen Enninger
Moritz Ostruschnjak, Martin Gessmann, Alexis Zurflüh and Petra Herrmann
Moritz Ostruschnjak, Martin Gessmann, Alexis Zurflüh and Petra Herrmann
Martin Gessmann, Alexis Zurflüh, Petra Herrmann, Holger Felten and Judith Mann
Martin Gessmann, Alexis Zurflüh, Petra Herrmann, Holger Felten and Judith Mann
Sophie Marsham, Radiator Sheep, 2003, Mixed Media, Metall, Stahl, 90 x 40 x 100 cm, photographed in the Highlands of Scotland
Sophie Marsham, Radiator Sheep, 2003, Mixed Media, Metall, Stahl, 90 x 40 x 100 cm, photographed in the Highlands of Scotland
Alexandra Gries, swarm, 2015, Holz, Metall, Kunststoff, Mixed Media, Installation 210 x 140 x 310 cm
Alexandra Gries, swarm, 2015, Holz, Metall, Kunststoff, Mixed Media, Installation 210 x 140 x 310 cm
Nordiek Buntrock , Frank Wolfgang, Eisschollen, 2013, Eis, Installation, 180 x 1500 x 100 cm
Nordiek Buntrock , Frank Wolfgang, Eisschollen, 2013, Eis, Installation, 180 x 1500 x 100 cm
Miroslav Trubač, Judas, 2017, coloured epoxide, wood, branch, artificial tree, rope, metal, 105 x 140 x 45 cm
Miroslav Trubač, Judas, 2017, coloured epoxide, wood, branch, artificial tree, rope, metal, 105 x 140 x 45 cm
Land Art Flevoland, Antony Gormley, Exposure, 2010, galvanized steel, concrete, 26 m, photo: Jordi Huisman
Land Art Flevoland, Antony Gormley, Exposure, 2010, galvanized steel, concrete, 26 m, photo: Jordi Huisman
Jürgen Batscheider, Sonnenkugel, 2016& 2017, Aluminium, Goldleaf, Steel, Wood, 500 x 500 x 500 cm
Jürgen Batscheider, Sonnenkugel, 2016& 2017, Aluminium, Goldleaf, Steel, Wood, 500 x 500 x 500 cm
Ankon Mitra, The Sights and Sound of the Cosmos, 2018, paper, polypropylene
Ankon Mitra, The Sights and Sound of the Cosmos, 2018, paper, polypropylene

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Editorial team

Sculpture Network Lab in München

Editorial team

Fall of the Idols

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