
Antoinette Donkers-Dekker
Together 2
This piece is autobiographical and is a sequel to Together 1.
In the piece Together 2 I bring two embryonal forms together. Together they take on a new shape, together they are a new whole. Creating this piece was transformative for me. Loneliness was transformed into something new, something that is good and pure and lighter.
To emphasize the purity, I made the piece out of pure porcelain clay, which turns a beautiful white when fired.
Working with porcelain is an intensive and time-consuming process. Porcelain is self-willed work with and requires patience and love. This fits in perfectly with the embryonal theme, as does the beautiful white colour.
In the piece Together 2 I bring two embryonal forms together. Together they take on a new shape, together they are a new whole. Creating this piece was transformative for me. Loneliness was transformed into something new, something that is good and pure and lighter.
To emphasize the purity, I made the piece out of pure porcelain clay, which turns a beautiful white when fired.
Working with porcelain is an intensive and time-consuming process. Porcelain is self-willed work with and requires patience and love. This fits in perfectly with the embryonal theme, as does the beautiful white colour.
FACTSHEET:
Dimensions : 16 cm x 33 cm x 33 cm (Height, Width, Depth)Weight : 3 kg
Year : 2021
Material : Ceramics
Technique : Ceramics
Style : abstract, poetic, contemporary
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Together 2
This piece is autobiographical and is a sequel to Together 1.
In the piece Together 2 I bring two embryonal forms together. Together they take on a new shape, together they are a new whole. Creating this piece was transformative for me. Loneliness was transformed into something new, something that is good and pure and lighter.
To emphasize the purity, I made the piece out of pure porcelain clay, which turns a beautiful white when fired.
Working with porcelain is an intensive and time-consuming process. Porcelain is self-willed work with and requires patience and love. This fits in perfectly with the embryonal theme, as does the beautiful white colour.
Antoinette Donkers-Dekker, Ceramics
Antoinette Donkers-Dekker, Ceramics

Shahrázáds fortellinger II
at Sandnes Kunstforening
Installation
Acrylic and aluminium on wall
Susanne Kathlen Mader, Mixed Media, Metal
Susanne Kathlen Mader, Mixed Media, Metal

Io, von Argos' hundert Augen überwacht
Eine dreiteilige Plastik mit einem Thema aus der alten griechischen Mythologie, welches auch für die heutige Zeit sehr zutreffend ist. Nachdem Io, vom ehebrechenden Zeus verführt oder vergewaltigt wurde, verwndelt der Göttervater diese, aus Angs vor seiner Gemahlin,in eine Kuh. Die gekränkte, eifersüchtige Ehefrau will nun jene schöne, weiße Kuh zum geschenk. Zeus erfüllt ihr den Wunsch, aber Hera hat nichts anderes zu tun, als sie an einen geheimen Ort zu verbannen und von ihrem hundertäugigen Wächter, dem Ungeheuer Argos überwachen zu lassen. Zeus bekommt ein schlechtes Gewissen und will Io helfen. Er begibt sich zum Götterboten Hermes,n verzaubert sich selbst in einen Specht und weißt ihm den Weg zur Nymphe Io. Hermes soll auf seiner Flöte spielen und zwar solange bis der gefährliche Wächter eingeschlafen ist. Im Anschluß soll Hermes das Ungeheuer töten. Was dieser auch befolgt und erledigt.
Manuela Clarin, Mixed Media, Plaster
Manuela Clarin, Mixed Media, Plaster

Turbulence
La Folie des Folies (1) . Domaine de la Garenne-Lemot / Le Voyage à Nantes, Gétigné (France)
Site: Colonne de Madrid (existing sculpture / part of the original park design
resin, div. paints and pigments, metal
6 coloumns, 3.7 x 0.4 x 0.4 m
Cornelia Konrads, Installation
Cornelia Konrads, Installation

Beginning
Belly and boat, arise and being on the way, salvaged and rooted.
Antoinette Donkers-Dekker, Ceramics, Ceramics
Antoinette Donkers-Dekker, Ceramics, Ceramics

'drink my blood'
‘believe in me, love me, take me in so we will be connected. 'Everything is connected.’ A selfportet, refering to Christian traditions. The head and hands are cast in crystal glas. The inside is etched the rims polished. Inside there is red wine, diluted with water.
Fleur van den Berg, Glass, Mixed Media
Fleur van den Berg, Glass, Mixed Media

Warten.......Mutter mit zwei Kindern
Eine Mutter mit zwei Kindern wartet. Wartet auf Asyl. Wartet auf Hilfe. Wartet auf einen netten Menschen. Sie tröstet und beruhigt ihre Kinder.
Manuela Clarin, Marble
Manuela Clarin, Marble

Etxea - House
A sculpture of 4,5m high made with steel, painted and oxidized. Symbolizes a miner's house.
Alex López Vega, Steel
Alex López Vega, Steel

Forest
Forest, porcelain
white pure trees, rooted in mother earth.
Antoinette Donkers-Dekker, Ceramics, Ceramics
Antoinette Donkers-Dekker, Ceramics, Ceramics

Changes 2010
Greenham Business Park, the former Royal Air Force World War Two airbase, Berkshire
This is Changes by the Icelandic sculptor Gudrun Nielsen, a monumental piece that has just been unveiled at Greenham Common where US bombers used to land – you get the references just by looking at it. Since the Greenham Common women saw off the last of the Right Stuff in 1988 the trees have returned along with the birds and the rest of the flora and fauna, and the military buildings have either been demolished or converted by the Greenham Common Trust which now owns it. Nielsen won a competition along with the late Michael Kenny, but that was 12 years ago and while Kenny’s large geometric form, Broken Symmetry, was unveiled almost immediately by Ringo Starr (a Kenny fan and local resident), Gudrun’s was a little tardy in taking off, as it were............... 17.11.2010 / Simon Tait's Diary http://www.artsindustry.co.uk/features/simon-taits-diary/45
Gudrun Nielsen, Steel, Concrete
Gudrun Nielsen, Steel, Concrete

The match
La Folie des Folies (3) . Domaine de la Garenne-Lemot / Le Voyage à Nantes, Gétigné (France)
Site: Grand Allée, Hippomedes and Atalanta
(existing sculptures at the main entrance, part of the original park design)
resin, div. paints and pigments, steel rope
2 vases, each 0.8 x ca. 0.5 x 0.5 m
Cornelia Konrads, Installation
Cornelia Konrads, Installation

Opfertisch
Gegenständliche Sandsteinskulptur im botanischen Garten Jeskyně Blanických rytířů in Rudka.
Mezinárodní Vytvarné Symposium Kunštát.
Peter Berger, Stone
Peter Berger, Stone

Remains
Remains is started as a small series of works, where found plastics were placed onto wooden boards.
Those boards where used as antler boards and serve now as a way to showcase remains from modern worlds.
In my work I tend to connect different themes and materials.
I am intrigued by the diversity and interconnectedness of our world today.
How whatever we do today, no matter how small or big, affects others on an immediate and global scale.
Katharina Forster, Wood, Plastics
Katharina Forster, Wood, Plastics

Columna barroca n° 3
iron rod and wood sculpture representing a barroque column.
Alex López Vega, Metal
Alex López Vega, Metal

Odyssey
46 carved wood figures , each 2.5 m tall. A travelling installation around Europe.
Robert Koenig, Wood, Mixed Media
Robert Koenig, Wood, Mixed Media

Pontoon
Site: bank of the canal de Bourgogne / harbour of Migennes (France)
wood, plastic containers, aluminiun
Cornelia Konrads, Installation
Cornelia Konrads, Installation

RADIATOR SHEEP
Photographed in the Highlands of Scotland, this sheep sculpture is life-sized and made from reclaimed objects.
Sophie Marsham, Mixed Media, Metal
Sophie Marsham, Mixed Media, Metal
Bee Banana
Bienen und Kunst, muß das sein? Baumstamm und Bienen, waren schon immer eine Einheit. Kunst und Banane gehen seit Thomas Baumgärtel auch gemeinsame Wege. Damit auch im Öffentlichen der Raum für Kunst wegweisend wird, hier die Banane, dreidimensional. Und die Bienen. Sie bestäuben ganz nebenbei das Umfeld; eine Befruchtung, die wir uns auch von der Kunst wünschen.
Apisculptor , Wood
Apisculptor , Wood
The Kinks 02
The Kinks 02, a functional steppingstone sculpture allowing any desired ground cover to grow up through the concrete pieces. The Kinks sculptural steppingstone allows the user to create any pattern they desire. The off form concrete material is made up of 70% repurposed waste material from local heavy industries.
Harley, Concrete, Concrete
Harley, Concrete, Concrete
Geest - fliessende Steine
Landesmuseum für Natur und Mensch Oldenburg 2006
Michael Lukas, Mixed Media, Installation
Michael Lukas, Mixed Media, Installation
The Kinks 01
The Kinks 01, a functional steppingstone sculpture allowing any desired ground cover to grow up through the concrete pieces. The Kinks sculptural steppingstone allows the user to create any pattern they desire. The off form concrete material is made up of 70% repurposed waste material from local heavy industries.
Harley, Concrete, Concrete
Harley, Concrete, Concrete

PEN TREE
Created for an event for the Adobe software company, made entirely from Bic biros.
Sophie Marsham, Mixed Media, Plastics
Sophie Marsham, Mixed Media, Plastics
Maria mit Kind, Figurenbeute
'In Wahrheit war ich ein Bienenstock, als die hochgelobte Biene, der Sohn Gottes in meinem Schoße Einkehr fand' Offenbarung der Hl.Maria an meine Namenspatronin Birgitta von Schweden. So war es ein Muß, die Heilige Maria, auch als Bienenstock zu erstellen.
Apisculptor , Wood, Others
Apisculptor , Wood, Others

PEN NIB SUN
Made from antique pen nibs cast in acrylic resin, suitable for inside of outside. Hangs from trees with stainless steel cables.
Sophie Marsham, Metal, Synthetic resin
Sophie Marsham, Metal, Synthetic resin

Genesis. Thought.
Project “Genesis. Dances with shadows” scrutinize feelings, mind, mental and physical, material. To Imagine. To Understand. To Feel. To See.
My task is not only creation art images as a combination of different materials (included but not limited by glass, metal, wood and stone) but to understand what is the cornerstone of our consciousness, what is The Genesis?
Thought. Imagination as basement, a freedom to think and to learn. The only first way to self cognition is Thought!
Grigorio Antipov, Plastics, Mixed Media
Grigorio Antipov, Plastics, Mixed Media

Ancient head.
A head made with wood pieces from a 3000 year old piece of black bog oak wood. The top is gold leaf.
Robert Koenig, Wood
Robert Koenig, Wood
Sprießel
Eine überdimensionale Figur aus Eichenholz.
Sie entspringt in einem Quadrat und entwickelt sich nach obenhin zur Figur, dem Chaos entfliehend.
Lukas Schmid, Wood, Wood
Lukas Schmid, Wood, Wood

The way. Life and Death.
A mountain river as a simbol of infinite life.
Two stones - two ways of existence.
Wich way do you choose?!
Grigorio Antipov, Stone, Natural materials
Grigorio Antipov, Stone, Natural materials

Iron Lady
This work envelopes the female domestic chores that often fall into a woman’s lap...the invisible labor women carry
Michelle Gallagher, Clay, Ceramics
Michelle Gallagher, Clay, Ceramics

Bird Lady
Seen from a low perspective, this woman figure shows herself in a confident pose.
Nicolet Boots, Plaster, Textile
Nicolet Boots, Plaster, Textile

Dawiedort, eine Entscheidungshilfe / Thiswaythatway
Fichte verkohlt geölt / Pruce charred oiled
Sockel Granit /socket granite
Andreas Mathes, Wood
Andreas Mathes, Wood
Charons Boot (Schifffisch) Bronzeguss poliert (8 Ex.)
Charons Boot (Schifffisch)
Bronzeguss p0liert (8 Ex.)
Regina Altorfer, Bronze, Bronze
Regina Altorfer, Bronze, Bronze
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