Together 2

This piece is autobiographical and is a sequel to Together 1. In the piece Together 2 I bring two embryonal forms together. Together they take on a new shape, together they are a new whole. Creating this piece was transformative for me. Loneliness was transformed into something new, something that is good and pure and lighter. To emphasize the purity, I made the piece out of pure porcelain clay, which turns a beautiful white when fired. Working with porcelain is an intensive and time-consuming process. Porcelain is self-willed work with and requires patience and love. This fits in perfectly with the embryonal theme, as does the beautiful white colour.
Antoinette Donkers-Dekker, Ceramics

at Sandnes Kunstforening Installation Acrylic and aluminium on wall
Susanne Kathlen Mader, Mixed Media, Metal

'faster, more efficiënt, no time to contemplate....'
Fleur van den Berg, Glass

Eine dreiteilige Plastik mit einem Thema aus der alten griechischen Mythologie, welches auch für die heutige Zeit sehr zutreffend ist. Nachdem Io, vom ehebrechenden Zeus verführt oder vergewaltigt wurde, verwndelt der Göttervater diese, aus Angs vor seiner Gemahlin,in eine Kuh. Die gekränkte, eifersüchtige Ehefrau will nun jene schöne, weiße Kuh zum geschenk. Zeus erfüllt ihr den Wunsch, aber Hera hat nichts anderes zu tun, als sie an einen geheimen Ort zu verbannen und von ihrem hundertäugigen Wächter, dem Ungeheuer Argos überwachen zu lassen. Zeus bekommt ein schlechtes Gewissen und will Io helfen. Er begibt sich zum Götterboten Hermes,n verzaubert sich selbst in einen Specht und weißt ihm den Weg zur Nymphe Io. Hermes soll auf seiner Flöte spielen und zwar solange bis der gefährliche Wächter eingeschlafen ist. Im Anschluß soll Hermes das Ungeheuer töten. Was dieser auch befolgt und erledigt.
Manuela Clarin, Mixed Media, Plaster

La Folie des Folies (1) . Domaine de la Garenne-Lemot / Le Voyage à Nantes, Gétigné (France) Site: Colonne de Madrid (existing sculpture / part of the original park design resin, div. paints and pigments, metal 6 coloumns, 3.7 x 0.4 x 0.4 m
Cornelia Konrads, Installation

Edition 2/8 Price with wooden base (10X10X10cm)
Patricia Dreyfus, Bronze

Belly and boat, arise and being on the way, salvaged and rooted.
Antoinette Donkers-Dekker, Ceramics, Ceramics

‘believe in me, love me, take me in so we will be connected. 'Everything is connected.’ A selfportet, refering to Christian traditions. The head and hands are cast in crystal glas. The inside is etched the rims polished. Inside there is red wine, diluted with water.
Fleur van den Berg, Glass, Mixed Media

Eine Mutter mit zwei Kindern wartet. Wartet auf Asyl. Wartet auf Hilfe. Wartet auf einen netten Menschen. Sie tröstet und beruhigt ihre Kinder.
Manuela Clarin, Marble

A sculpture of 4,5m high made with steel, painted and oxidized. Symbolizes a miner's house.
Alex López Vega, Steel

Forest, porcelain white pure trees, rooted in mother earth.
Antoinette Donkers-Dekker, Ceramics, Ceramics

Reduziert-figürliches Beton-Objekt.
Peter Berger, Concrete

Greenham Business Park, the former Royal Air Force World War Two airbase, Berkshire This is Changes by the Icelandic sculptor Gudrun Nielsen, a monumental piece that has just been unveiled at Greenham Common where US bombers used to land – you get the references just by looking at it. Since the Greenham Common women saw off the last of the Right Stuff in 1988 the trees have returned along with the birds and the rest of the flora and fauna, and the military buildings have either been demolished or converted by the Greenham Common Trust which now owns it. Nielsen won a competition along with the late Michael Kenny, but that was 12 years ago and while Kenny’s large geometric form, Broken Symmetry, was unveiled almost immediately by Ringo Starr (a Kenny fan and local resident), Gudrun’s was a little tardy in taking off, as it were............... 17.11.2010 / Simon Tait's Diary http://www.artsindustry.co.uk/features/simon-taits-diary/45
Gudrun Nielsen, Steel, Concrete

La Folie des Folies (3) . Domaine de la Garenne-Lemot / Le Voyage à Nantes, Gétigné (France) Site: Grand Allée, Hippomedes and Atalanta (existing sculptures at the main entrance, part of the original park design) resin, div. paints and pigments, steel rope 2 vases, each 0.8 x ca. 0.5 x 0.5 m
Cornelia Konrads, Installation

Gegenständliche Sandsteinskulptur im botanischen Garten Jeskyně Blanických rytířů in Rudka. Mezinárodní Vytvarné Symposium Kunštát.
Peter Berger, Stone

Made from solid cast bronze on a square granite plinth.
Sophie Marsham, Bronze, Metal

Iron and wood sculpture painted in red.
Alex López Vega, Metal

Reduziert-figürliche Marmorskulptur.
Peter Berger, Marble

Remains is started as a small series of works, where found plastics were placed onto wooden boards. Those boards where used as antler boards and serve now as a way to showcase remains from modern worlds. In my work I tend to connect different themes and materials. I am intrigued by the diversity and interconnectedness of our world today. How whatever we do today, no matter how small or big, affects others on an immediate and global scale.
Katharina Forster, Wood, Plastics

iron rod and wood sculpture representing a barroque column.
Alex López Vega, Metal

46 carved wood figures , each 2.5 m tall. A travelling installation around Europe.
Robert Koenig, Wood, Mixed Media

Site: bank of the canal de Bourgogne / harbour of Migennes (France) wood, plastic containers, aluminiun
Cornelia Konrads, Installation

Photographed in the Highlands of Scotland, this sheep sculpture is life-sized and made from reclaimed objects.
Sophie Marsham, Mixed Media, Metal

Bienen und Kunst, muß das sein? Baumstamm und Bienen, waren schon immer eine Einheit. Kunst und Banane gehen seit Thomas Baumgärtel auch gemeinsame Wege. Damit auch im Öffentlichen der Raum für Kunst wegweisend wird, hier die Banane, dreidimensional. Und die Bienen. Sie bestäuben ganz nebenbei das Umfeld; eine Befruchtung, die wir uns auch von der Kunst wünschen.
Apisculptor , Wood

The Kinks 02, a functional steppingstone sculpture allowing any desired ground cover to grow up through the concrete pieces. The Kinks sculptural steppingstone allows the user to create any pattern they desire. The off form concrete material is made up of 70% repurposed waste material from local heavy industries.
Harley, Concrete, Concrete

Landesmuseum für Natur und Mensch Oldenburg 2006
Michael Lukas, Mixed Media, Installation

The Kinks 01, a functional steppingstone sculpture allowing any desired ground cover to grow up through the concrete pieces. The Kinks sculptural steppingstone allows the user to create any pattern they desire. The off form concrete material is made up of 70% repurposed waste material from local heavy industries.
Harley, Concrete, Concrete

Created for an event for the Adobe software company, made entirely from Bic biros.
Sophie Marsham, Mixed Media, Plastics

'In Wahrheit war ich ein Bienenstock, als die hochgelobte Biene, der Sohn Gottes in meinem Schoße Einkehr fand' Offenbarung der Hl.Maria an meine Namenspatronin Birgitta von Schweden. So war es ein Muß, die Heilige Maria, auch als Bienenstock zu erstellen.
Apisculptor , Wood, Others

'Stay True' from the series 'Nomadic Vases'
Nicolet Boots, Plaster

Klassisch, realistisch. Im Freizeitlook.
Marcel Börlin, Bronze

Wegmarken Ute Deutz/Rainer Düvell Installation zur BUGA 2015 bei Böhne
Ute Deutz, Metal

Made from antique pen nibs cast in acrylic resin, suitable for inside of outside. Hangs from trees with stainless steel cables.
Sophie Marsham, Metal, Synthetic resin

Project “Genesis. Dances with shadows” scrutinize feelings, mind, mental and physical, material. To Imagine. To Understand. To Feel. To See. My task is not only creation art images as a combination of different materials (included but not limited by glass, metal, wood and stone) but to understand what is the cornerstone of our consciousness, what is The Genesis? Thought. Imagination as basement, a freedom to think and to learn. The only first way to self cognition is Thought!
Grigorio Antipov, Plastics, Mixed Media

A head made with wood pieces from a 3000 year old piece of black bog oak wood. The top is gold leaf.
Robert Koenig, Wood

Jim Panse, in Wachs modelliert und in Bronze gegossen.
Jörg Engelhardt, Bronze, Metal

Eine überdimensionale Figur aus Eichenholz. Sie entspringt in einem Quadrat und entwickelt sich nach obenhin zur Figur, dem Chaos entfliehend.
Lukas Schmid, Wood, Wood

A mountain river as a simbol of infinite life. Two stones - two ways of existence. Wich way do you choose?!
Grigorio Antipov, Stone, Natural materials

Frei Arbeit aus der Reihe Blätter. In Privatbesitz.
Benjamin Schulte, Wood

Abstrakte Frauenfigur, gefertigt aus Apfelholz
Lukas Schmid, Wood, Metal

This work envelopes the female domestic chores that often fall into a woman’s lap...the invisible labor women carry
Michelle Gallagher, Clay, Ceramics

Seen from a low perspective, this woman figure shows herself in a confident pose.
Nicolet Boots, Plaster, Textile

Fichte verkohlt geölt / Pruce charred oiled Sockel Granit /socket granite
Andreas Mathes, Wood

Das größte Objekt aus der Reihe Blätter.
Benjamin Schulte, Wood, Paper

Männliche Figur, Lindenholz, Temperafarbe
Lukas Schmid, Wood, Metal

Jap. Schnurbaum geölt / Styphnolobium japonicum oiled
Andreas Mathes, Wood

Abstrakte Mohnkapsel, Eiche+Stahl Privatbesitz
Lukas Schmid, Wood, Metal

Charons Boot (Schifffisch) Bronzeguss p0liert (8 Ex.)
Regina Altorfer, Bronze, Bronze

"Fern in mir", mein Beitrag zum Symposium "Remake" des Kunstvereins Ottobrunn
Wolfgang Sandt, Marble

Kastanie, Feuer, Öl / chestnau, fire, oil
Andreas Mathes, Wood