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This artwork, created using a 3D printer at Polytech Lille, explores the intersection of digital protocols and raw materiality.

Far from replacing the hand, the machine complements my intuitive approach by offering the possibility of generating entirely new forms. This dialogue between the rigor of the code and the unpredictability of the firing process transforms an industrial material into an organic structure, where technological precision gives way to a reflection on the trace and time.

Wall sculpture made from opaque glass foam