Logotype

Polyester, Glasfaser, Autolack, Holz Acrylfarbe, Lack
FOS, Plastics, Wood

I made this pendant to collaborate with the NGO Rescate (Acnur) that is rebuilding homes, hospitals and schools in Alepo (Syria) recycling rubble. The bricks are covered with a layer of gold (24 carats) or silver; or lacquered in red, black or brick red. This brick is patented and signed.
Viviane Brickmanne, Synthetic resin

Beeldenroute Landart Diessen An altar for an ordinary animal An altar for an ordinary animal manages to establish a connection between the church village of Diessen and the area where Landart Diessen takes place. In addition, visual artist Aurelia van der Burght brings an ode to the hare with this sculpture. This creature is equipped with special qualities. Fast, smart, alert, funny, symbolizes fertility, cyclic rebirth and magical power. There is, however, a duplicity in what is observed. The holy water containers change effortlessly into dipping sauces. The hare has been placed in the corner by many, we would like to eat in pieces during a festive meal. Aurelia van der Burght, Diessen 2008
Aurelia van der Burght, Wood, Ceramics

Polyurethan – gefärbt, GFK, Autolack
FOS, Plastics, Synthetic resin

This work is another version of Grace I. I make often two versions of a work, maybe to amplify its content. The difference with Grace I is very subtle, it is about rythms between circles and planes that are managed differently. 1/1
Viviane Brickmanne, Synthetic resin

Found in a dune and polished in a port, Embleton speaks of permanence when the waves come crashing. The artist and the landscape persevere. Crystalline frosting on the underside moves from Northumberland skies to the whispering pinks of the burnet roses and bloody cranesbills found in the dunes. A gilded area at one end highlights a major break-up. Absence makes the heart grow fonder.
Russell Coleman, Stone, Granite

I like to introduce decayed elements into the brick, such as these long old nails. 1/3
Viviane Brickmanne, Bronze

Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stone

Juxtaposition of round and spiky, both parts necessary to enhance the other parts quality 1/1
Viviane Brickmanne, Bronze, Others

Eine schwimmende, unbeachtete, flaue Situation… der Frauen. Scheint alles transparent! Aber… wie im Aquarium eingesperrt? Hommage an die große Bildhauerin Ruth Asawa (1926-2013), die ihre Skulpturen zu Hause schuf - unter Mitwirkung ihrer 6 Kinder. Hommage an die große japanische Künstlerin Toko Shinoda, die im März 2021 108-jährig starb, die die Entscheidung traf, auf den Weg zu verzichten, der für Frauen ihrer Generation vorbestimmt schien. „Ich habe nie geheiratet und habe keine Kinder
Solange Keschmann, Plastics

kleines Trinkgefäss ... Abformung eines Espresso-Bechers in Porzellan mit verschiedenfarbigen Glasuren.
Bergit Hillner, Ceramics, Glass

Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stone

Aluminiumdraht, Epoxidknete, Farbe, Drehmotor
FOS, Synthetic resin, Plastics

I like to put together various elements such as bricks and vegetables. 2/3
Viviane Brickmanne, Bronze

Die Skulptur / Gipsvormodell / Kubismus
Andreas Rimpel, Concrete, Plaster

Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stone

Aluminiumdraht, Epoxidknete, Stahlplatte, Farbe
FOS, Synthetic resin, Plastics

Young girl whose wings are made of bricks.The other Mutants can be seen on my website. 2/7
Viviane Brickmanne, Bronze

Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stone

Bronze on granite base Edition of 6
Alexandra Slava, Bronze, Metal

Kunstsammlung Nyffenegger, Arbon (Switzerland) Site: former industrial hall, next to other, similar looking pillars Material: foamrubber, plaster, wood, steelrope, paint
Cornelia Konrads, Installation

the cuboid-like shape is a modified Platonic volume. It becomes a module in an architectural structure or a setting that can be hidden or visible. Inspired by the traces of old buildings one might find in an ancient place, the installation calls to mind how these crumbling individual components now only serve as silent witnesses. However, at one time may have been the key element of a wall, or ceiling, etc. Regardless of their prior functionality, the aesthetic potential overrides the previous story
Toma Gabor, Metal, Plastics

Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stone

Installation at Oslo Kunstforening Acrylic colour, aluminium and 3D print on wall
Susanne Kathlen Mader, Installation, Metal

Father and deceased son. Created based on truthful images about Aleppo. Nominated for the Van Lanschot Art Prize 2016, audience winner, first casting purchased by Van Lanschot. A father jumps out of a car and carries his seriously injured son to the hospital. The son is quickly placed on a stretcher. Although the doctor is immediately on the scene, the boy dies. The pain off the father is indescribable. I visualize this enormous tragedy, which unfortunately is a daily reality. I made this sculpture as a form of prayer for father and son.
Antoinette Donkers-Dekker, Synthetic resin

Figurengruppe mit Paddel im Boot | Bronze
Claudia Katrin Leyh, Bronze, Metal

Stein (Serpentin-Raindrop), Eisenhalter
Silvia Withöft-Foremny, Stone

Tiefspühlbecken ... Keramik schwarz poliert Formstudie, welche zum streicheln und umarmen anregt ... ich fühle mich extrem geehrt, wenn meine Rezipienten tatsächlich mit meiner Toilette kuscheln möchten ...
Bergit Hillner, Ceramics

Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stone

Arbeit zum Thema Flucht und Migration
Otto Beer, Wood

H 70 x B 64 x T 6 cm HDF, Kunststoff, Lack, Acrylfarbe Edition, 20 Stk Wie drei Speichen eines Rades oder Strahlen eines Sternes streben die drei Grundfarben Blau, Gelb und Rot auf die runde Hintergrundscheibe zu einem gemeinsamen Tanz. Außerhalb der Scheibe noch jede für sich, mischen sie sich zu einem sich scheinbar rotierenden Farbkreis. Das Objekt kann mit einem Nagel aufgehängt werden. Alle notwendigen Utensilien sowie Montageanleitungen sind im Paket beigelegt. _____________________________ H 70 x W 64 x D 6 cm Hardboard, plastic, varnish, acrylic paint Edition of 20 pieces Like three spokes of a wheel or rays of a star, the three basic colors blue, yellow and red strive for a common dance on the round background disc. Outside the disc, each one by itself, they mix to a seemingly rotating color wheel. The object can be hung a wall with a single nail. All necessary utensils and assembly instructions are included in the package.
Alexander Lorenz, Wood, Plastics

Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stone

Holzskulptur bemalt. Beitrag zur Ausstellungsreihe "Lasst die Volksseele kochen!" Die Arbeit zeigt die Kernelemente des Rechtspopulismus, die Angst, den Egoismus der zum Nationalismus führt und den Hass.
Otto Beer, Wood

Relief | Gips auf MDF schwarz | little people
Bergit Hillner, Wood, Plaster

Skulptur aus Eiche 3-teilig in Metallbottich
Otto Beer, Wood

The spiral is a form that appears in nature in different ways..we can find it in clouds, in movement of the wind, in the water and also in the plants or observing the flight of the birds
Isabela Lleo, Stone

Belonging to the series of SEAFOAM, this work is emblematic because it represents the form of the flower of almmondtrees, flourishing as soon as january or february. They are the first flowers every year.... This work has been exhibited in Venice bienale, Giardinni Marinaressa with the European Cultural Center in Personal Structures Exhibition in 2917, as well as in Sculpture by the Sea Cottesloe 2020 and Bondi 2021
Isabela Lleo, Bronze

Holzrelief, Beitrag zur Ausstellungsreihe "Lasst die Volksseele kochen!"
Otto Beer, Wood

Wasser Larvikrit Bildhauersymposium 2014 Asgard Norwegen
Friedrich Vossel, Stone, Stone

Ein Blick in die Werkstatt. Im Vordergrund "Bewegung" in zwei Größen
Cornelia Hammans, Bronze, Metal

Auftrag für eine Außenanlage. Hier vor der Montage noch in meiner Werkstatt.
Cornelia Hammans, Bronze, Natural materials

Walnussholz "Impuls" - Welle - Bewegung - Leichtigkeit - Lebendigkeit - elegant - fließend - harmonisch Eine Skulptur, die man berühren möchte
Markus Brinker, Wood

Eine zyklische Form von 3,5 m schraubt sich aus dem Boden.
Nicole Bischoff, Wood, Wood

The project “Deaming the forest” talks about the ephemeral experience of standing in front of a tree; the incorporeal experience of remember the nature. The work reflects on the relationship between human beings and nature. It is a work about memory. I seek to reconnect with nature through memory. Remembering the experience of facing the wind, the leaves, the grass… The work is not explicit, everyone will read in it their own memory. Bringing the nature as a memory into the city is the only way to make it present.
Tamara Jacquin, Wood, Textile

Zwei Menschfiguren mit Mauern aus Schiefer im Kopf.
Nicole Bischoff, Wood, Stone

plastische Wandgestaltung aus Keramik
Guido Kratz, Ceramics

Der Exhibitionist der sich doch nicht ohne goldene shorts aufs Podest wagt.
Martin Schlamp, Wood

Unser Portrait ist Basis unserer Individualität, Ausdruck aller Möglichkeiten etwas zu seinen eigenen Bedingungen zu tun. Auf alles andere zu pfeifen und nur die Dinge zu machen mit denen man sich selbst treu bleibt.
Jonas Eideloth, Stone, Wood

The spherical shapes are inspired by the schematic representations of atoms and molecules. Small particles are everywhere: one moment in a plant, the next in an animal, a person, and sometimes in things too. 'molecular' symbolizes mankind as an inseparable part of the chain of life. It depicts the connection between all things, all live, everywhere. Luckily many people are increasingly aware of the influence of their own footprint
Fleur van den Berg, Bronze, Concrete

collages
noam ben-jacov, Mixed Media