The fragile three-dimensional work in silk fabric is experienced as a weightless sculpture, almost a bas-relief that wants to detach itself from the wall.
The boundaries between sculpture and painting become blurred due to the layering of the fabric and the resulting colour nuances.
Elements such as daylight, movement, space, colour and the language of the material play a role in the creative process.
In the process of shaping/moulding the silk fabric into a tight frame,
I value what happens to the painting on the silk material, that is highly movable and transparant in the beginning  but carefully shaped at the end.
What was one dimensional before, folds into a multilayered sculpture.