,,umbru,,

The bodie contort themselvesretreating into the skin of objects that become either rusty or ,, sores,, ridden, or simply brilliant, fashiononing a luminos screen of the depth of the hidden dimension. The form illustrates here the dissipation of the deep, the loss of the core, the Prodigal Son, that is, and the recovery of the the core by is absortion into fhe outer shell. The Visible, the outer shell of thigs, is projected to the fore creating a reverse perspective similar to the Byzantine conception on form