During Berlin Art Week, which takes place from September 10 to 14, the galleries of Gallery Weekend Berlin invite you to Gallery Night on the evening of Thursday, September 11, with extended opening hours until 10 PM.
On this evening, 48 participating galleries will open their exhibitions and present a diverse program featuring both nationally and internationally acclaimed artists. The galleries will also be open Friday through Sunday from 12 to 6 PM.
Participating galleries and artists:
Galerie BASTIAN, Anselm Kiefer / Galerie Guido W. Baudach, Philipp Modersohn / Galerie Isabella Bortolozzi, Marc Kokopeli / BQ, Matti Braun / Galerie Buchholz, Robert Colescott, Christelle Oyiri / Buchmann Galerie, Bettina Pousttchi / Capitain Petzel, Ross Bleckner / carlier I gebauer, Maria Taniguchi, Fluid Systems (group show) / Contemporary Fine Arts, Márcia Falcão, group show / CRONE, Daniel Josefsohn / DITTRICH & SCHLECHTRIEM, Daniel Hölzl / Ebensperger, Arhun Aksakal, Meg Stuart / Galerie EIGEN + ART, Ulrike Theusner, Allistair Walter / Konrad Fischer Galerie, Bruce Nauman / Galerie Friese, Elvira Bach / Galerie Michael Haas, Peter Bömmels / Heidi, Rapunzel, Rapunzel (group show) / Galerie Max Hetzler, Katharina Grosse, Hans Josephsohn & Günther Förg, Grace Weaver / Hua International, Tong Kunniao / Galerie Judin, Philipp Fürhofer / Klemm’s, Philip Gabriel, Elizabeth Jaeger / Galerie Noah Klink, Irina Jasnowski Pascual / KOW, Monsieur Zohore / Kraupa-Tuskany Zeidler, Pieter Schoolwerth / Tanya Leighton, Esteban Jefferson, group show / alexander levy, Mischa Leinkauf / LEVY Galerie, André Masson / Meyer Riegger, Sarah Schumann / Galerie Molitor, Jesse Darling / Nagel Draxler, Andrea Fraser / Galerie Neu, Louis Fratino / neugerriemschneider, Thilo Heinzmann, Michel Majerus, Ho Tzu Nyen / NOME, Accurate Misreading (group show) / Pace, Adam Pendleton / Galeria Plan B, Tincuta Marin / PSM, Dudu Quintanilha / Schiefe Zähne, Richard Sides / Esther Schipper, Lee Bae, Tauba Auerbach / Galerie Thomas Schulte, Julian Irlinger, Walid Raad, Dan Walsh / Société, Anh Trần, States of Being (group show, in collaboration with Hauser & Wirth) / Soy Capitán, Matthias Dornfeld / Sprüth Magers, Henni Altan, Andrea Zittel/ Sweetwater, Hanna Hur / Galerie Barbara Thumm, Thomas Zipp / Galerie Tanja Wagner, Why We Do What We Do (group show) / Trautwein Herleth, Carolyn Lazard / WENTRUP, Magnus Plessen / Galerie Michael Werner, A.R. PENCK
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Thomas Schütte at Konrad Fischer Galerie
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Thomas Schütte, Installation view.
Courtesy the artist and Konrad Fischer Galerie, Berlin / Düsseldorf. Photo: Roman März
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At Konrad Fischer Galerie, Thomas Schütte explores the animal and the human in a new series of sculptures, on view through August 16. The works range from intimate to monumental. The exhibition also features his ten-part watercolor series KITSCH AS KITSCH CAN, painted in a single day, showing flowers against a deep black background. Further watercolors respond to the global politics of 2024, inhabited by demons, monsters and mournful clowns.
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Anca Munteanu Rimnic at Galeria Plan B
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Anca Munteanu Rimnic, Treatise on Bruises, Installation view.
Courtesy the artist and Galeria Plan B. Photo: Trevor Good
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The poetic objects, photographs, videos and installations of Berlin-based Romanian artist Anca Munteanu Rimnic invite viewers to perceive connections beyond logic or history, embracing incompleteness. Galeria Plan B presents her solo show Treatise on Bruises through July 26. It centers on skin as both a conceptual and metaphorical site. The tapestry Treatise on Bruises (2025) resembles the colors and textures of a bruise. A series of sculptures evokes goosebumps (Succession of Notes, 2025). Other works imagine the sculptural body as something that crosses boundaries (Gaze, 2025). Here, skin becomes a threshold between the physical and the abstract, between object and being. A space where seemingly separate worlds connect.
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Christian Jankowski at Contemporary Fine Arts
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Christian Jankowski, Wedding Gift, Installation view.
Courtesy the artist and Contemporary Fine Arts, Photo: Nick Ash
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To mark his own wedding, Christian Jankowski presents the solo exhibition Wedding Gift at CFA, on view through August 30. Among the works are the neon piece Luftschlösser (“castles in the air”) and the new series Was Told to go With the Flow (2025). In this series, Jankowski places the titles of self-help books that promise success and love on used art shipping crates. With a wink, he reflects on ambition, longing and the rituals of the art world. When an artwork travels to a fair, it carries with it not only itself but also countless hopes: sales, good reviews, inspiring conversations and new contacts. All the things that keep the art ecosystem going.
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Mario García Torres at neugerriemschneider
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Mario García Torres, nada me han enseñado los años, Installation view
Courtesy the artist and neugerriemschneider, Berlin. Photo: Jens Ziehe
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While his first institutional solo show in Germany continues at the Fridericianum in Kassel (through July 27), Mario García Torres also opened a new exhibition at neugerriemschneider on July 11. Titled Nada me han enseñado los años [The Years Have Taught Me Nothing], it presents a striking series of black-and-white oil paintings. This is remarkable in itself, since figurative painting is not among his usual media. The works weave a speculative chronicle of post-revolutionary Mexico over the past century. They focus on intellectuals who, starting in the 1920s, not only engaged with their country’s past but also helped shape its future. García Torres combines archival materal and fiction into an alternative history of Mexico and its artists, staged in the gallery with cinematic precision.
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Mary Ramsden, In Touch, Installation view
Courtesy the artist and WENTRUP, Photo: Matthias Kolb.
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Through August 9, WENTRUP presents In Touch, an exhibition of new abstract paintings by British artist Mary Ramsden. Her works reflect a deep engagement with the medium of painting itself. Looking at a finished painting, with its striking aesthetic presence, it is easy to forget that painting demands a lot from the artist. The blank canvas or white page is never truly empty. References and clichés from art history and everyday visual culture are always already there, crowding the surface, waiting to be acknowledged and worked through. Ramsden meets this challenge head-on and develops her own visual language, where spontaneity and depth come together.
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