The exhibited objects combine three basic principles of Jindřiška‘s work. Sometimes she takes a found object-waste from her wanderings through the city and sculpts it in her studio. For example, a part of a car bonnet merges with a concrete base, which in its gently graded surface evokes layers of soil, the memory carrier of nature, into which a piece of the bodywork sinks, and the boundary between what is an artificial human product and what is natural ceases to exist. At other times, she is captivated by the form of the object itself, which she does not „repair” in any way, letting itsappearance have its own effect. Slate, for example, has natural cleavages, is fissile which allows us to create thin slabs of this rock and so the natural lines, the boundaries of the layers become visible and act as a script, an imprint of the past.
