Janine thungen-reichenbach
the Venice Glass Week HUB
Palazzo Loredan (primo piano) sede dell'Istituto Veneto di Scienze, Lettere ed Arti San Marco 2945
30124 Venice
Italien
BAUMWELTEN @ The Venice Glass Week HUB
Baumwelten are borne of negative impressions of three different tree barks: a Prunus Armeniaca cast in yellow, a Quercus Suber, the cork oak, in sky blu, both from the Appia Antica; the Euonymus Japonicus from Venice, cast in a candid white reminiscent of the evergreen treeâs beautiful white flowers. Stemming from each sculpture are delicate
branches created and lamp blown by maestro Vittorio Costantini. The wild flowers are from the island of SantâErasmo.
The Venice Glass Week is an international festival founded in 2017 to celebrate, support and promote the art of glassmaking, for which the Lagoon City of Venice has been renowned around the world for over 1,000 years. The eighth edition of the festival will take place from 14th to 22nd September 2024.
The sacrality of nature and the environment are crucial in Italian author, poet and artist Dino Buzzatiâs 1935 novel âll segreto del Bosco Vecchioâ (The Secret of the Old Woods). The storyâs main character redeems his humanity by saving a forest from destruction and connecting meaningfully with the trees and the enchanted creatures that inhabit them.
Much like Buzzati, Janine ThĂŒngen-Reichenbach has always held the sacredness of nature and the survival of magic at heart, her work consistently personifying the alternatively parallel and tangent journeys of imagination and rationality and their quest for recognition and redemption.Â
The Baumwelten, or tree worlds, fall sweetly in this narrative. Janine turns her inquisitive mind to the observation of trees in order to find explanations to wider ecological themes such as the interconnection between the planetâs flora, and the need for a respectful and peaceful coexistence between humankind and the natural environment in the interest and for the survival of both.Â
Baumwelten are borne of negative impressions of three different tree barks: a Prunus Armeniaca from Janineâs garden on the ancient Appia Antica, Rome, cast in yellow, the colour of its flowerâs pistil; Quercus Suber, the cork oak, also from the Via Appia Antica, in sky blue; and Euonymus Japonicus from her garden in Venice, where its shade falls on the patio like a protective hat, hence its nickname, 'Berretto del prete'. This sculpture is cast in a candid white reminiscent of the evergreen treeâs beautiful white flowers, adorned in autumn by orange berry-sized fruits.Â
Stemming from each sculpture are delicate branches created and lamp blown by Maestro Vittorio Costantini, a Burano island native deeply attached to the beauty of Venice, the lagoon and to the abundance and variety of flowers, birds, butterflies, insects and marine creatures they harbour. His meticulous and exquisite creations, delicate and precious microcosms, have garnered him widespread recognition. The wild flowers in the Baumwelten are handpicked by Janine on the island of St Erasmo, a short boat ride away, to further underline the beauty of natureâs interconnectivity.
Janineâs arboreal enquiries express her scientific and philosophical interest in the fundamental role trees play both in the story and the health of humankind. Common sense and scientific research have shown that trees have a calming effect on most people, reducing levels of cortisol and adrenaline, improving moods and giving a sense of peace and security. As Janine has often told me, âLooking at a tree, leaning against it or hugging it makes me feel like Saint-ExupĂ©ry's Little Prince. Itâs pure happiness.â
Francesca de' Medici đÂ
Independent curatorÂ