Margarita Azurdia

The survey delves into her career, journeying through her vast output, which spans painting, sculpture, non-objectual art and artist’s books drafted with drawings, collages and poems. Retrospectively, the exhibition opens an in-depth view of the modern and contemporary art landscape in Guatemala and prompts an exploration of the artist’s creative metamorphosis between 1960 and the mid-1990s, reflected, moreover, in the numerous name changes with which she signed her works.

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Picture: Margarita Azurdia, Women Transporting Yellow Bananas, 1971-1974. Courtesy of Milagro de Amor, legacy of the artist