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A shopping cart sinks into plastic parts that stand for bits, program errors and also "wetware", the latter in the four DNA colors. Coronavirus images have settled on the bits and company logos. In the carriage a turtle, which carries on the back words from old times and connections, which might remain incomprehensible to the digital world, like Love, solidarity, happiness. On the reptile's belly, a Renaissance church painting. Zygmunt Bauman's diagnosis of "fleeting modernity" is confirmed here as well: Everything that is fixed and shaped is immediately vaporized, made liquid, turned into small pellets.