





Cornelia Konrads
Pontoon
Site: bank of the canal de Bourgogne / harbour of Migennes (France)
wood, plastic containers, aluminiun
wood, plastic containers, aluminiun
FACTSHEET:
Abmessungen : 150 cm x 120 cm x 900 cm (Height, Width, Depth)Jahr : 2021
Material : Installation
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Beginning
Belly and boat, arise and being on the way, salvaged and rooted.
Antoinette Donkers-Dekker, Keramik, Keramik
Antoinette Donkers-Dekker, Keramik, Keramik

'drink my blood'
‘believe in me, love me, take me in so we will be connected. 'Everything is connected.’ A selfportet, refering to Christian traditions. The head and hands are cast in crystal glas. The inside is etched the rims polished. Inside there is red wine, diluted with water.
Fleur van den Berg, Glas, Mixed Media
Fleur van den Berg, Glas, Mixed Media

Warten.......Mutter mit zwei Kindern
Eine Mutter mit zwei Kindern wartet. Wartet auf Asyl. Wartet auf Hilfe. Wartet auf einen netten Menschen. Sie tröstet und beruhigt ihre Kinder.
Manuela Clarin, Marmor
Manuela Clarin, Marmor

Etxea - House
A sculpture of 4,5m high made with steel, painted and oxidized. Symbolizes a miner's house.
Alex López Vega, Stahl
Alex López Vega, Stahl

Forest
Forest, porcelain
white pure trees, rooted in mother earth.
Antoinette Donkers-Dekker, Keramik, Keramik
Antoinette Donkers-Dekker, Keramik, Keramik

Changes 2010
Greenham Business Park, the former Royal Air Force World War Two airbase, Berkshire
This is Changes by the Icelandic sculptor Gudrun Nielsen, a monumental piece that has just been unveiled at Greenham Common where US bombers used to land – you get the references just by looking at it. Since the Greenham Common women saw off the last of the Right Stuff in 1988 the trees have returned along with the birds and the rest of the flora and fauna, and the military buildings have either been demolished or converted by the Greenham Common Trust which now owns it. Nielsen won a competition along with the late Michael Kenny, but that was 12 years ago and while Kenny’s large geometric form, Broken Symmetry, was unveiled almost immediately by Ringo Starr (a Kenny fan and local resident), Gudrun’s was a little tardy in taking off, as it were............... 17.11.2010 / Simon Tait's Diary http://www.artsindustry.co.uk/features/simon-taits-diary/45
Gudrun Nielsen, Stahl, Beton
Gudrun Nielsen, Stahl, Beton

The match
La Folie des Folies (3) . Domaine de la Garenne-Lemot / Le Voyage à Nantes, Gétigné (France)
Site: Grand Allée, Hippomedes and Atalanta
(existing sculptures at the main entrance, part of the original park design)
resin, div. paints and pigments, steel rope
2 vases, each 0.8 x ca. 0.5 x 0.5 m
Cornelia Konrads, Installation
Cornelia Konrads, Installation

Opfertisch
Gegenständliche Sandsteinskulptur im botanischen Garten Jeskyně Blanických rytířů in Rudka.
Mezinárodní Vytvarné Symposium Kunštát.
Stanklopfer, Stein
Stanklopfer, Stein

Remains
Remains is started as a small series of works, where found plastics were placed onto wooden boards.
Those boards where used as antler boards and serve now as a way to showcase remains from modern worlds.
In my work I tend to connect different themes and materials.
I am intrigued by the diversity and interconnectedness of our world today.
How whatever we do today, no matter how small or big, affects others on an immediate and global scale.
Katharina Forster, Holz, Kunststoff
Katharina Forster, Holz, Kunststoff

Columna barroca n° 3
iron rod and wood sculpture representing a barroque column.
Alex López Vega, Metall
Alex López Vega, Metall

Odyssey
46 carved wood figures , each 2.5 m tall. A travelling installation around Europe.
Robert Koenig, Holz, Mixed Media
Robert Koenig, Holz, Mixed Media

Pontoon
Site: bank of the canal de Bourgogne / harbour of Migennes (France)
wood, plastic containers, aluminiun
Cornelia Konrads, Installation
Cornelia Konrads, Installation

The Office of Arcana
An installation of six corridors, at the end of each corridor can be seen a further space visible through the window of a closed door. These further spaces are interiors of abandonment, littered with the ruins of activities.
(Dimensions given below are for each individual model interior, as the layout of the corridors depends on exhibition space. This work is being developed with further interiors relating to the overall themes)
The model interiors are based on a specific series of themes that tie the rooms together into an interrelating series of concepts. These concepts relate to speculative histories of the contemporary connections between the magical occult and the development of autonomous fighting vehicles (drones for example). Initially these seemingly unrelated épistemes were chosen for lecture that dealt with producing false knowledge, but research has uncovered connections, especially with regard to the cultural (in the widest sense) meanings of weapons (the tank as a demonstration of power) and the nature in which such machines are regarded as operating away from human agency. It is the intention that images of the model interiors, associated drawings, texts, etc., will form the basis for an artist’s publication at a later juncture.
A second set of ideas reference (UK) science-fiction television programmes, and science-fiction films, of the 1960’s and 1970’s (the artist’s formative years). The main theme is that of hauntology, the ruins of a future that did not take place. Overlaid over this are indications that industrial/financial philosophy that once seemed central to globalization also contained the seeds of its own destruction.
Formally these model interiors also refer to museum dioramas, puppet theatres, (and to narrative sculptures to be found in European sacred spaces). There is equally the influence of the numerous abandoned industrial and military buildings to found in Taiwan, spaces that exert a fascination as fragments of unknown narratives. The model interiors thus map elements of autobiography, with memories of the UK interweaving with current experiences of Taiwan.
Duncan Mountford, Installation, Licht
Duncan Mountford, Installation, Licht

RADIATOR SHEEP
Photographed in the Highlands of Scotland, this sheep sculpture is life-sized and made from reclaimed objects.
Sophie Marsham, Mixed Media, Metall
Sophie Marsham, Mixed Media, Metall
Bee Banana
Bienen und Kunst, muß das sein? Baumstamm und Bienen, waren schon immer eine Einheit. Kunst und Banane gehen seit Thomas Baumgärtel auch gemeinsame Wege. Damit auch im Öffentlichen der Raum für Kunst wegweisend wird, hier die Banane, dreidimensional. Und die Bienen. Sie bestäuben ganz nebenbei das Umfeld; eine Befruchtung, die wir uns auch von der Kunst wünschen.
Apisculptor , Holz
Apisculptor , Holz
The Kinks 02
The Kinks 02, a functional steppingstone sculpture allowing any desired ground cover to grow up through the concrete pieces. The Kinks sculptural steppingstone allows the user to create any pattern they desire. The off form concrete material is made up of 70% repurposed waste material from local heavy industries.
Harley, Beton, Beton
Harley, Beton, Beton
Geest - fliessende Steine
Landesmuseum für Natur und Mensch Oldenburg 2006
Michael Lukas, Mixed Media, Installation
Michael Lukas, Mixed Media, Installation
The Kinks 01
The Kinks 01, a functional steppingstone sculpture allowing any desired ground cover to grow up through the concrete pieces. The Kinks sculptural steppingstone allows the user to create any pattern they desire. The off form concrete material is made up of 70% repurposed waste material from local heavy industries.
Harley, Beton, Beton
Harley, Beton, Beton

PEN TREE
Created for an event for the Adobe software company, made entirely from Bic biros.
Sophie Marsham, Mixed Media, Kunststoff
Sophie Marsham, Mixed Media, Kunststoff
Maria mit Kind, Figurenbeute
'In Wahrheit war ich ein Bienenstock, als die hochgelobte Biene, der Sohn Gottes in meinem Schoße Einkehr fand' Offenbarung der Hl.Maria an meine Namenspatronin Birgitta von Schweden. So war es ein Muß, die Heilige Maria, auch als Bienenstock zu erstellen.
Apisculptor , Holz, Sonstige
Apisculptor , Holz, Sonstige

PEN NIB SUN
Made from antique pen nibs cast in acrylic resin, suitable for inside of outside. Hangs from trees with stainless steel cables.
Sophie Marsham, Metall, Kunstharz
Sophie Marsham, Metall, Kunstharz

Genesis. Thought.
Project “Genesis. Dances with shadows” scrutinize feelings, mind, mental and physical, material. To Imagine. To Understand. To Feel. To See.
My task is not only creation art images as a combination of different materials (included but not limited by glass, metal, wood and stone) but to understand what is the cornerstone of our consciousness, what is The Genesis?
Thought. Imagination as basement, a freedom to think and to learn. The only first way to self cognition is Thought!
Grigorio Antipov, Kunststoff, Mixed Media
Grigorio Antipov, Kunststoff, Mixed Media

Ancient head.
A head made with wood pieces from a 3000 year old piece of black bog oak wood. The top is gold leaf.
Robert Koenig, Holz
Robert Koenig, Holz
Sprießel
Eine überdimensionale Figur aus Eichenholz.
Sie entspringt in einem Quadrat und entwickelt sich nach obenhin zur Figur, dem Chaos entfliehend.
Lukas Schmid, Holz, Holz
Lukas Schmid, Holz, Holz

The way. Life and Death.
A mountain river as a simbol of infinite life.
Two stones - two ways of existence.
Wich way do you choose?!
Grigorio Antipov, Stein, Naturstoffe
Grigorio Antipov, Stein, Naturstoffe

Iron Lady
This work envelopes the female domestic chores that often fall into a woman’s lap...the invisible labor women carry
Michelle Gallagher, Ton, Keramik
Michelle Gallagher, Ton, Keramik

Bird Lady
Seen from a low perspective, this woman figure shows herself in a confident pose.
Nicolet Boots, Gips, Textil
Nicolet Boots, Gips, Textil

Dawiedort, eine Entscheidungshilfe / Thiswaythatway
Fichte verkohlt geölt / Pruce charred oiled
Sockel Granit /socket granite
Andreas Mathes, Holz
Andreas Mathes, Holz
Charons Boot (Schifffisch) Bronzeguss poliert (8 Ex.)
Charons Boot (Schifffisch)
Bronzeguss p0liert (8 Ex.)
Regina Altorfer, Bronze, Bronze
Regina Altorfer, Bronze, Bronze

Fern in mir
"Fern in mir", mein Beitrag zum Symposium "Remake" des Kunstvereins Ottobrunn
Wolfgang Sandt, Marmor
Wolfgang Sandt, Marmor

Odyssey
32 carved and polychromed figures, each 2.5 m tall. Exhibited in Salisbury Cathedral, England.
Robert Koenig, Holz, Installation
Robert Koenig, Holz, Installation

Bilston Totems
15 sweet chestnut trees up to 6 metres tall commemorating the steel industry in the town of Bilston in England. Handcarved.
Robert Koenig, Holz, Installation
Robert Koenig, Holz, Installation

Wind house
Private Commission, Reserva do Ibitipoca, Lima Duarte MG (Brazil)
Site: pasture on a hillside
Built in the way of typical local farmhouses using a traditional clay wall technique (“pau à pique”)
Materials:
wood, clay soil, straw, cow dung, cement, metal grid, rooftiles
3.4 x 2.8 x 6.5 m
Cornelia Konrads, Installation
Cornelia Konrads, Installation
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