Andreas Rimpel

Am Abgrund

Die Skulptur / Gipsvormodell / Kubismus

FACTSHEET:

Abmessungen : 20 cm x 20 cm x 20 cm (Height, Width, Depth)
Gewicht : 2 kg
Jahr : 2019
Material : Beton, Gips, Bronze, Keramik, Ton, Stahl, Sound
Bearbeitung : abgetragen
Stil : zeitgenössisch, architektonisch, konstruktiv, filigran

Andreas Rimpel

Mensch - menschlich sein

Human Being - being human

auch interessant:

Hope, Believe, Love
Love is the source of virtues... Without love, there is no hope, no faith․․․
Gevorg Tadevosyan, Bronze, Metall
DER KUSS
Der Kuss: Inspired by Gustav Klimt’s famous Kuss, this sculpture explores the relation and integration of human love and nature. As the two figures entwine, so the plants interweave, uniting the sculpture and becoming a part of it. Like the plants, the couple’s love starts from a small seed, grows and blooms, yet is also subject to influence and change from the world. Aesthetically this work is connected to New York Project, but a step further in transparency
Janine von thungen, Bronze
Ignorance #1
“Ignorance is the root of all suffering which is the lack of knowledge and understanding.” In this sculpture I show ignorance as heads that are in the box, they are ignorant therefore they can’t find their way to happiness. They are in a dark area which is the box where they cannot see the light. They are all connected. They are all part of one body which is the universe.
Mehnoush Modonpour, Ton, Sonstige
Ich frei mich nicht fühl
Lunch boxes, many, metallic installation, puzzle. Imprinting. boundaries. liberation. hunger.
Cate Wind, Metall
FiligreeShit
Description in German, English and French - please scroll down Auf der Spur der Vergänglichkeit und der Suche nach harmonischer Bewegung inmitten eines empfindlichen, dünnen Steins. Und wider Willen wird man Zeuge einer unerwarteten Rebellion des Materials. Shit happens... Tracking evanescence, in search of the harmony of curves midst of a narrow and fragile mineral. But sometimes the stone fights back, making us witness of an unexpected rebellion of the material. Shit happens … Traquant l'évanescence, le geste recherche l'harmonie de courbes entrelacées au sein d'un matériau fragile et étroit. Mais parfois, la pierre se rebiffe et se brise. Shit happens...
Jens Linnek, Naturstoffe, Stein
Ignorance #2
In this sculpture the boxes are almost open and heads are about to come out. They are not in the dark anymore, but still can’t see (heads don’t have eyes) and can’t hear (they don’t have ears). But there is still hope. Also, they are connected because all humans are connected like cells in a body. We are all part of the universe and therefore we are all connected. If one cell in a body is suffering it will affect all other cells. So if one human is suffering, it affects all other human-beings.
Mehnoush Modonpour, Ton
"shelter"
Holzrelief, gefasst und mit Epoxidharz ausgegossen Die Walmutter nimmt ihr Junges unter ihre Flosse, der Schutz ist aber nur symbolisch
Lisi Deutsch, Holz, Kunstharz
FF 1
HDF, plastic, acrylic paint The object can be hung all four sides on the wall or placed on a pedestal. The wafer-thin material is a pendant and a symbol of the refugee and immateriality of light. Its waveform "models" the reflected color gradients. Where two colors meet, color mixtures are created. _____________________________ HDF, Kunststoff, Lack, Acrylfarbe Das hauchdünne Material ist Pendent und Sinnbild für die Flüchtigket und Immaterialität des Lichtes. Seine Wellenform “modelleiert” die reflektierte Farbverläufe. Wo sich zwei Farben begegnen entstehen Farbmischungen. Das Objekt kann beliebig herum an die Wand gehängt oder auf einen Sockel gelegt werden. http://www.alexanderlorenz.at/art/sculpture.php?page=sculpture&navi=ff&unterkat=ff01-09&kat=a
Alexander Lorenz, Holz, Kunststoff
HollowHopper
Description in German, English and French - please scroll down Essbare Insekten als ökologischere Alternative zu unserem derzeitigen Proteinkonsum rücken heutzutage immer mehr in den Fokus unserer westlichen Kulturen, obwohl dies für große Teile der Welt ganz normal ist. Als ich mich für dieses Thema interessierte, hatte ich eine surrealistische Idee... Was wäre, wenn Heuschrecken mit ihren verheerenden Auswirkungen auf die Fauna von Pflanzen zurückgeschlagen würden, gefressen und ausgehöhlt: HollowHopper! Edible insects as a more ecological alternative to our current protein consumption is nowadays coming more and more into the focus of our western cultures, even though that it is quite normal for large parts of the world. When I got interested in this topic, I had the surrealistic idea of... what if grasshoppers with their devastating effects on fauna were fought back, eaten and left behind by plant life: HollowHopper! Les insectes comestibles en tant qu'alternative plus écologique à notre consommation de protéines actuelle, entrent de plus en plus dans le champ de vision de nos cultures occidentales, bien que cela soit tout à fait normal dans d’autres parties du monde. En s'intéressant à ce sujet, j'ai eu l'idée surréaliste de... Et si les sauterelles avec leurs effets dévastateurs sur la faune étaient combattues par les plantes, mangées et délaissées : HollowHopper!
Jens Linnek, Stein, Naturstoffe
the insane
the work is part of a composition called vices. VICES These works represent an image of past, present and future vices. They narrate the ritual of everyday habits that interconnects various characters illustrated in their transformation (metamorphosis). Relations emerging therefrom give birth to a story. What are these relations? What is the story? I am attempting to stimulate the viewer to assess circumstances, I am trying to start an impromptu dialogue by association of two seemingly absent entities. Starting from the human dimension, each character – which may become an exemplary model to be meditated upon – makes reference to fundamental life experiences in a place (universe) dominated by the everlasting omnipresence of frustration, whose existence in time is intended to be anticipated. Therefore, these works are materialized in the visual plan of the imbalance between inner- and outer-self. My endeavors pursue a human urge, more precisely the reintegration in basic, day-to-day life of fragments of an excess (overabundance) of actuality (reality), represented in a condensed form through the details of a gest. Petre Mihai Nilă
Nila Mihai-Petre, Bronze, Metall
Inside of me 2
This work is made for people who nobody can understand them or their feelings, rather said that the people around that person always misunderstand him/her.
Aziz Anzabi, Bronze, Metall
Embryo
Aus dem Drang und der Notwendigkeit etwas geschmeidiges und glattes zu erschaffen entstand diese Form - letztendlich jene einer ungeborenen Kreatur.
Jens Linnek, Bronze
NAUSIKAA
Thüster Kalkstein, Schwarzweiß-Belichtung
Thomas Lucker, Stein
Even the trees are crying
The installation EVEN THE TREES ARE CRYING by Aurelia van der Burght, initially created out of glass, ceramic elements and steel wire, has emerged following the disastrous world in which we live in, and from which we can’t leave. We are responsible and inevitable part of the catastrophic events that will occur. A process that is brought to an end very slowly, almost without notice, like an incendiary tumor. Aurelia invited Hanne Schillemans – dancer, choreographer – to create a new theatrical reality in her own unique way by blending music and image with her movements. The music is composed by Ralph Timmermans, and he’s been inspired by the installation of Aurelia and the movements of Hanne. The performance of his music is done by musician Rob Cornelissen.
Aurelia van der Burght, Glas, Keramik
the insane
the work is part of a composition called vices. VICES These works represent an image of past, present and future vices. They narrate the ritual of everyday habits that interconnects various characters illustrated in their transformation (metamorphosis). Relations emerging therefrom give birth to a story. What are these relations? What is the story? I am attempting to stimulate the viewer to assess circumstances, I am trying to start an impromptu dialogue by association of two seemingly absent entities. Starting from the human dimension, each character – which may become an exemplary model to be meditated upon – makes reference to fundamental life experiences in a place (universe) dominated by the everlasting omnipresence of frustration, whose existence in time is intended to be anticipated. Therefore, these works are materialized in the visual plan of the imbalance between inner- and outer-self. My endeavors pursue a human urge, more precisely the reintegration in basic, day-to-day life of fragments of an excess (overabundance) of actuality (reality), represented in a condensed form through the details of a gest. Petre Mihai Nilă
Nila Mihai-Petre, Bronze, Metall
Duifje
3-D print, titanium (grey)and stainlesssteel (silver). 3_D drawing made after a scull from a young dove.
Alice W Bakker, Metall, Sonstige
A sad history, or is it futurism?
Installation by Aurelia van der Burght soundsculpture i.s.m. Krijn Hendriksen en Hans d'Achard Gruyterfabrieken, 's Hertogenbosch
Aurelia van der Burght, Keramik, Papier
Phoenix
Description in German, English and French - please scroll down Die Darstellung des Unsichtbaren, die ausgehöhlte Form, welche sich vom Materiellen löst und sich wie ein poetisches Feuer zu erheben scheint. Trying to represent the invisible. A hollow shape of the non-existing carving. Allowing the material to be released from any gravity, like poetic fire. Représenter l'invisible. Sculpter en creux la forme de ce qui n'est pas. Permettre l'envolée d'une matière libérée de toute pesanteur, comme un feu poétique.
Jens Linnek, Stein, Beton
spheres_01_01
bowl dimensions: 44 cm x 44 cm x 33 cm (l x d x h) material: ply wood pine finish:antique wax polished process: programmed structure, cnc-produced 35 pieces on a 3-axis-mill, assembled and polished by hand
Bergit Hillner, Holz, Naturstoffe
Stern von Bethlehem
"Stern zu Bethlehem" / Stadt Linz
Konrad Feichtinger, Metall, Mixed Media
DREAM IT !
Holzrelief, Esskastanie, patiniert, H 90 x 105 cm
Alexander Heil, Holz
Hilde - das Schaaf
Bronze
Dagmar Vogt, Bronze, Bronze
Schmelzkelche
10 Schalen aus Eis im Wald bei Jukkasjärvi, Schweden
Ilka Raupach, Naturstoffe
Raum/Zeit
Freistehendes Relief, Eiche, patiniert, H 45 x 48 cm
Alexander Heil, Holz
Kraft | Power
Kraft | Bronze | aus dem Jahr 2020 Auflage: 3 . . Bronze Edition: 3
Helga Kaes, Bronze
The big tread or The Evolution of the Diva
Portrait of hut designer Fiona Bennett The melodramatic and baroque swirl crowns fashion designer Fiona Bennett, indulging in overflowing and sophisticated hat finery. It is a hybrid staging. The wonderful purity of the bleached ostrich feathers meets the ostrich foot as an unembellished reminder of repressed phases of evolution.
Margarete Adler, Kunststoff
SPINARIO
Polyester, Glasfaser, Autolack, Holz Acrylfarbe, Lack
FOS, Kunststoff, Holz
An altar for an ordinary animal
Beeldenroute Landart Diessen An altar for an ordinary animal An altar for an ordinary animal manages to establish a connection between the church village of Diessen and the area where Landart Diessen takes place. In addition, visual artist Aurelia van der Burght brings an ode to the hare with this sculpture. This creature is equipped with special qualities. Fast, smart, alert, funny, symbolizes fertility, cyclic rebirth and magical power. There is, however, a duplicity in what is observed. The holy water containers change effortlessly into dipping sauces. The hare has been placed in the corner by many, we would like to eat in pieces during a festive meal. Aurelia van der Burght, Diessen 2008
Aurelia van der Burght, Holz, Keramik
Produkt #011, TRASA
Polyurethan – gefärbt, GFK, Autolack
FOS, Kunststoff, Kunstharz
"Geometrie und Zahlen" 21 von 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
cup_06
kleines Trinkgefäss ... Abformung eines Espresso-Bechers in Porzellan mit verschiedenfarbigen Glasuren.
Bergit Hillner, Keramik, Glas
"Geometrie und Zahlen" 22 von 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
Havanna Smoke
Aluminiumdraht, Epoxidknete, Farbe, Drehmotor
FOS, Kunstharz, Kunststoff
Am Abgrund
Die Skulptur / Gipsvormodell / Kubismus
Andreas Rimpel, Beton, Gips
"Geometrie und Zahlen" 23 von 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
fallen cloud
Aluminiumdraht, Epoxidknete, Stahlplatte, Farbe
FOS, Kunstharz, Kunststoff
"Geometrie und Zahlen" 24 von 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
The Coronation
Bronze on granite base Edition of 6
Alexandra Slava, Bronze, Metall
Tragische Säule
Kunstsammlung Nyffenegger, Arbon (Switzerland) Site: former industrial hall, next to other, similar looking pillars Material: foamrubber, plaster, wood, steelrope, paint
Cornelia Konrads, Installation
Modules
the cuboid-like shape is a modified Platonic volume. It becomes a module in an architectural structure or a setting that can be hidden or visible. Inspired by the traces of old buildings one might find in an ancient place, the installation calls to mind how these crumbling individual components now only serve as silent witnesses. However, at one time may have been the key element of a wall, or ceiling, etc. Regardless of their prior functionality, the aesthetic potential overrides the previous story
Toma Gabor, Metall, Kunststoff
"Geometrie und Zahlen" 25 von 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
Shahrázáds fortellinger V
Installation at Oslo Kunstforening Acrylic colour, aluminium and 3D print on wall
Susanne Kathlen Mader, Installation, Metall
Alter Ego
Figurengruppe mit Paddel im Boot | Bronze
Claudia Katrin Leyh, Bronze, Metall
Baumfrau (Nr. 124)
Stein (Serpentin-Raindrop), Eisenhalter
Silvia Withöft-Foremny, Stein
00 _ 03
Tiefspühlbecken ... Keramik schwarz poliert Formstudie, welche zum streicheln und umarmen anregt ... ich fühle mich extrem geehrt, wenn meine Rezipienten tatsächlich mit meiner Toilette kuscheln möchten ...
Bergit Hillner, Keramik
"Geometrie und Zahlen" 27 von 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
FF 14
H 70 x B 64 x T 6 cm HDF, Kunststoff, Lack, Acrylfarbe Edition, 20 Stk Wie drei Speichen eines Rades oder Strahlen eines Sternes streben die drei Grundfarben Blau, Gelb und Rot auf die runde Hintergrundscheibe zu einem gemeinsamen Tanz. Außerhalb der Scheibe noch jede für sich, mischen sie sich zu einem sich scheinbar rotierenden Farbkreis. Das Objekt kann mit einem Nagel aufgehängt werden. Alle notwendigen Utensilien sowie Montageanleitungen sind im Paket beigelegt. _____________________________ H 70 x W 64 x D 6 cm Hardboard, plastic, varnish, acrylic paint Edition of 20 pieces Like three spokes of a wheel or rays of a star, the three basic colors blue, yellow and red strive for a common dance on the round background disc. Outside the disc, each one by itself, they mix to a seemingly rotating color wheel. The object can be hung a wall with a single nail. All necessary utensils and assembly instructions are included in the package.
Alexander Lorenz, Holz, Kunststoff
"GEOMETRIE UND ZAHLEN" 28 VON 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
Mann im Schaum
Relief | Gips auf MDF schwarz | little people
Bergit Hillner, Holz, Gips
SPIRAL
The spiral is a form that appears in nature in different ways..we can find it in clouds, in movement of the wind, in the water and also in the plants or observing the flight of the birds
Isabela Lleo, Stein
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