Cornelia Konrads

Tragische Säule

Kunstsammlung Nyffenegger, Arbon (Switzerland)

Site: former industrial hall, next to other, similar looking pillars


Material: foamrubber, plaster, wood, steelrope, paint

FACTSHEET:

Abmessungen : 420 cm x 43 cm x 43 cm (Height, Width, Depth)
Jahr : 2014
Material : Installation

Cornelia Konrads

My work is focused on site-specific installations for public and private spaces - they can be indoors or outdoors, temporary or permanent.

A reflection of the site and its particularities is always my starting point. So each work is developed in a close dialogue with the architecture, topography, vegetation and history of the surrounding area.

I understand the site not as a background, but as a texture. The goal is, that my work becomes a part of this texture – in the end, it should be unclear if it has always been there, if it will stay, change or disappear in the next second. The situation is ambivalent: Are the elements falling or rising? Dancing or fighting? Is this a downfall or a victory? Both alternatives are conceivable at the same time.

The questions I put in my work deal a lot with the perception of time and movement– often my installations appear as if a film has stopped for a moment– a moment of “frozen time”.

I’m intrigued by this transient thing, called “moment” or “presence” – the intangible rupture between past and future. Consequently I try to create a moment of irritation, by adding an element to the scenery, which refuses to fit into the expected order. If something doesn’t behave as it should, within the twinkling of an eye the inner monologue gets interrupted. One “arrives here and now”, in a mysterious world, where strange things (including oneself) have a unique meeting. For this moment of irritation I like to challenge what is supposed to be “reliable”: the laws of gravity, the solidity of walls or the ground under our feet.

As once a viewer has put it very well: there is always a “moment of catastrophe” in my work– but also a moment of humour.

auch interessant:

Rupture
Here the brick refers to suffering that is represented by the red nails "wounding" it. The two parts of the brick can be placed in many different ways. It is made of resin, the nails are in bronze. 1/1
Viviane Brickmanne, Kunstharz
Stern von Bethlehem
"Stern zu Bethlehem" / Stadt Linz
Konrad Feichtinger, Metall, Mixed Media
DREAM IT !
Holzrelief, Esskastanie, patiniert, H 90 x 105 cm
Alexander Heil, Holz
Hilde - das Schaaf
Bronze
Dagmar Vogt, Bronze, Bronze
The man's hand
Sculpture to be hanged up, the upper part separately or together with the small odd pieces that are falling. It symbolizes devastation. The letters attached refer to destroyed cities as a result of human actions: Alepo(Syria); Palmira(Syria); Chernobyl(Ukraine); Saná(Yemen); Beirut(Lebanon); Bagdad(Iraq); Nagasaki(Japan); Kabul(Afghanistan); Homs(Syria); Jartum(Sudan); Mogadiscio(Somalia)... 1/1
Viviane Brickmanne, Metall
Schmelzkelche
10 Schalen aus Eis im Wald bei Jukkasjärvi, Schweden
Ilka Raupach, Naturstoffe
Raum/Zeit
Freistehendes Relief, Eiche, patiniert, H 45 x 48 cm
Alexander Heil, Holz
Kraft | Power
Kraft | Bronze | aus dem Jahr 2020 Auflage: 3 . . Bronze Edition: 3
Helga Kaes, Bronze
The big tread or The Evolution of the Diva
Portrait of hut designer Fiona Bennett The melodramatic and baroque swirl crowns fashion designer Fiona Bennett, indulging in overflowing and sophisticated hat finery. It is a hybrid staging. The wonderful purity of the bleached ostrich feathers meets the ostrich foot as an unembellished reminder of repressed phases of evolution.
Margarete Adler, Kunststoff
SPINARIO
Polyester, Glasfaser, Autolack, Holz Acrylfarbe, Lack
FOS, Kunststoff, Holz
Pendant bricks
I made this pendant to collaborate with the NGO Rescate (Acnur) that is rebuilding homes, hospitals and schools in Alepo (Syria) recycling rubble. The bricks are covered with a layer of gold (24 carats) or silver; or lacquered in red, black or brick red. This brick is patented and signed.
Viviane Brickmanne, Kunstharz
An altar for an ordinary animal
Beeldenroute Landart Diessen An altar for an ordinary animal An altar for an ordinary animal manages to establish a connection between the church village of Diessen and the area where Landart Diessen takes place. In addition, visual artist Aurelia van der Burght brings an ode to the hare with this sculpture. This creature is equipped with special qualities. Fast, smart, alert, funny, symbolizes fertility, cyclic rebirth and magical power. There is, however, a duplicity in what is observed. The holy water containers change effortlessly into dipping sauces. The hare has been placed in the corner by many, we would like to eat in pieces during a festive meal. Aurelia van der Burght, Diessen 2008
Aurelia van der Burght, Holz, Keramik
Produkt #011, TRASA
Polyurethan – gefärbt, GFK, Autolack
FOS, Kunststoff, Kunstharz
Grace II
This work is another version of Grace I. I make often two versions of a work, maybe to amplify its content. The difference with Grace I is very subtle, it is about rythms between circles and planes that are managed differently. 1/1
Viviane Brickmanne, Kunstharz
Embleton Corvete
Found in a dune and polished in a port, Embleton speaks of permanence when the waves come crashing. The artist and the landscape persevere. Crystalline frosting on the underside moves from Northumberland skies to the whispering pinks of the burnet roses and bloody cranesbills found in the dunes. A gilded area at one end highlights a major break-up. Absence makes the heart grow fonder.
Russell Coleman, Stein, Granit
"Geometrie und Zahlen" 21 von 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
cup_06
kleines Trinkgefäss ... Abformung eines Espresso-Bechers in Porzellan mit verschiedenfarbigen Glasuren.
Bergit Hillner, Keramik, Glas
"Geometrie und Zahlen" 22 von 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
Havanna Smoke
Aluminiumdraht, Epoxidknete, Farbe, Drehmotor
FOS, Kunstharz, Kunststoff
Am Abgrund
Die Skulptur / Gipsvormodell / Kubismus
Andreas Rimpel, Beton, Gips
"Geometrie und Zahlen" 23 von 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
fallen cloud
Aluminiumdraht, Epoxidknete, Stahlplatte, Farbe
FOS, Kunstharz, Kunststoff
"Geometrie und Zahlen" 24 von 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
The Coronation
Bronze on granite base Edition of 6
Alexandra Slava, Bronze, Metall
Tragische Säule
Kunstsammlung Nyffenegger, Arbon (Switzerland) Site: former industrial hall, next to other, similar looking pillars Material: foamrubber, plaster, wood, steelrope, paint
Cornelia Konrads, Installation
Modules
the cuboid-like shape is a modified Platonic volume. It becomes a module in an architectural structure or a setting that can be hidden or visible. Inspired by the traces of old buildings one might find in an ancient place, the installation calls to mind how these crumbling individual components now only serve as silent witnesses. However, at one time may have been the key element of a wall, or ceiling, etc. Regardless of their prior functionality, the aesthetic potential overrides the previous story
Toma Gabor, Metall, Kunststoff
"Geometrie und Zahlen" 25 von 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
Shahrázáds fortellinger V
Installation at Oslo Kunstforening Acrylic colour, aluminium and 3D print on wall
Susanne Kathlen Mader, Installation, Metall
Alter Ego
Figurengruppe mit Paddel im Boot | Bronze
Claudia Katrin Leyh, Bronze, Metall
Baumfrau (Nr. 124)
Stein (Serpentin-Raindrop), Eisenhalter
Silvia Withöft-Foremny, Stein
00 _ 03
Tiefspühlbecken ... Keramik schwarz poliert Formstudie, welche zum streicheln und umarmen anregt ... ich fühle mich extrem geehrt, wenn meine Rezipienten tatsächlich mit meiner Toilette kuscheln möchten ...
Bergit Hillner, Keramik
"Geometrie und Zahlen" 27 von 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
FF 14
H 70 x B 64 x T 6 cm HDF, Kunststoff, Lack, Acrylfarbe Edition, 20 Stk Wie drei Speichen eines Rades oder Strahlen eines Sternes streben die drei Grundfarben Blau, Gelb und Rot auf die runde Hintergrundscheibe zu einem gemeinsamen Tanz. Außerhalb der Scheibe noch jede für sich, mischen sie sich zu einem sich scheinbar rotierenden Farbkreis. Das Objekt kann mit einem Nagel aufgehängt werden. Alle notwendigen Utensilien sowie Montageanleitungen sind im Paket beigelegt. _____________________________ H 70 x W 64 x D 6 cm Hardboard, plastic, varnish, acrylic paint Edition of 20 pieces Like three spokes of a wheel or rays of a star, the three basic colors blue, yellow and red strive for a common dance on the round background disc. Outside the disc, each one by itself, they mix to a seemingly rotating color wheel. The object can be hung a wall with a single nail. All necessary utensils and assembly instructions are included in the package.
Alexander Lorenz, Holz, Kunststoff
"GEOMETRIE UND ZAHLEN" 28 VON 37
Stil: konkrete Kunst Material: Sandstein Bearbeitung: abgetragen und abgebrochen 100% Handarbeit
Go37Pe, Stein
Mann im Schaum
Relief | Gips auf MDF schwarz | little people
Bergit Hillner, Holz, Gips
SPIRAL
The spiral is a form that appears in nature in different ways..we can find it in clouds, in movement of the wind, in the water and also in the plants or observing the flight of the birds
Isabela Lleo, Stein
ALMOND FLOWER
Belonging to the series of SEAFOAM, this work is emblematic because it represents the form of the flower of almmondtrees, flourishing as soon as january or february. They are the first flowers every year.... This work has been exhibited in Venice bienale, Giardinni Marinaressa with the European Cultural Center in Personal Structures Exhibition in 2917, as well as in Sculpture by the Sea Cottesloe 2020 and Bondi 2021
Isabela Lleo, Bronze
WASSER
Wasser Larvikrit Bildhauersymposium 2014 Asgard Norwegen
Friedrich Vossel, Stein, Stein
Große und Kleinere Bewegung
Ein Blick in die Werkstatt. Im Vordergrund "Bewegung" in zwei Größen
Cornelia Hammans, Bronze, Metall
Chaotische Harmonie
Auftrag für eine Außenanlage. Hier vor der Montage noch in meiner Werkstatt.
Cornelia Hammans, Bronze, Naturstoffe
Impuls
Walnussholz "Impuls" - Welle - Bewegung - Leichtigkeit - Lebendigkeit - elegant - fließend - harmonisch Eine Skulptur, die man berühren möchte
Markus Brinker, Holz
Dreaming the woods I
The project “Deaming the forest” talks about the ephemeral experience of standing in front of a tree; the incorporeal experience of remember the nature. The work reflects on the relationship between human beings and nature. It is a work about memory. I seek to reconnect with nature through memory. Remembering the experience of facing the wind, the leaves, the grass… The work is not explicit, everyone will read in it their own memory. Bringing the nature as a memory into the city is the only way to make it present.
Tamara Jacquin, Holz, Textil
Die Wand 2
plastische Wandgestaltung aus Keramik
Guido Kratz, Keramik
Exibiz
Der Exhibitionist der sich doch nicht ohne goldene shorts aufs Podest wagt.
Martin Schlamp, Holz
Portraitstudie
Unser Portrait ist Basis unserer Individualität, Ausdruck aller Möglichkeiten etwas zu seinen eigenen Bedingungen zu tun. Auf alles andere zu pfeifen und nur die Dinge zu machen mit denen man sich selbst treu bleibt.
Jonas Eideloth, Stein, Holz
series of collages
collages
noam ben-jacov, Mixed Media
see the world
Skulptur aus Cr-Ni Stahl gebürstet Kugel hochglanzpoliert in der sich die Ümgebung spiegelt Kopf aus Glas Körper aus GfK
Konrad Feichtinger, Metall, Mixed Media
The Ballet Dancer
The Ballet Dancer - a Male Figure 1/3 life-size in bronze. Limited edition of 7 available (1/7 already sold) Mounted on black Granite Base
André Prinsloo, Bronze, Granit
Moluccan Canoe
For the Utrecht city project 'Street wise', I was asked to create a work of art based on the street name Molukkenstraat. It is a facade stone that hangs on the wall of my home / studio, close to the street sign. This sculpture is part of the GPS tour through the Lombok district in Utrecht. Made by Peter Dubois in collaboration with Kosmopolis Utrecht. Watch the video below and hear the story behind the image. Video GPStour Lombok from Peter dubois on Vimeo
Fieke de Roij, Stein, Stein
Siedlung
Gewachsene Strukturen und die Beziehungen der Menschen prägen den Mikrokosmos einer Siedlung auf engstem Raum. Dieser wandelt ständig sein Erscheinungsbild nach allen Seiten durch Zuzug, Wegzug, Neubau, Verfall, Zerstörung und Lückenfüllung. Zudem wirken globale Entscheidungen und Einflüsse von außen. Das Wechselspiel von inneren und äußeren Vorgängen gibt jeder Siedlung ihre einzigartige Historie und Gestalt.
Ilka Raupach, Holz, Holz
...weitersuchen...
CAPTCHA
This question is for testing whether or not you are a human visitor and to prevent automated spam submissions.

Menu
...loading...
...upload...
Bitte Pflichtfelder ausfüllen