Lotti Meschter

gesprengte Normen

Ahorn, Bitumen, auf Metallplatte montiert


Dimensions : 175 cm x 32 cm x 32 cm (Height, Width, Depth)
Weight : 41 kg
Year : 2012
Material : Wood
Technique : chain saw
Style : poetic, symbolic

Lotti Meschter

Ich halte die Frage, den Samen, in der Hand, die Antwort ist der Baum. Fragen enthalten Antworten, in den Antworten stecken schon die nächsten Fragen ein immerwährendes, spannendes Spiel. Meine Gedanken, meine Gefühle, meine Fragen, die Antworten, ich will sie berühren, ich will sie sehn: Momentaufnahmen, Augenblicke in der Unendlichkeit. Austausch — Bewegung Ich sehe Bäume wachsen. Mit der Kettensäge und Respekt bearbeite ich ihr Holz. Dabei achte ich auf die Geheimnisse, die es mir verrät. Zu einem gewählten Thema schaffe ich eine oder mehrere Skulpturen. Gleichzeitig fasse ich in Worte, was mich bewegt. Stelle ich die Skulpturen ins Freie, ist es möglich, einen weiteren Prozess zu beobachten: Die äusserste Schicht wird grau, schimmert silbrig im Sonnenschein. Mit den Jahren werden sie zerfallen, Nährboden für weiteres Leben bieten und Platz schaffen für nachfolgende Generationen, die ihre Sichtweisen sichtbar machen wollen.

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Meine Trinity steht für "Körper - Geist - Seele". Sie formt sich wie ein Schlüssel ins Leben - unzertrennbar, unverzichtbar - keines darf vernachlässigt werden. Ich kann diese Skulptur in verschiedenen Größen anbieten. Sie eignet sich vom Volumen her auch als große Installation im Außenbereich. Durchblick, Rahmen, Fokussierung durch die Öffnungen.
Cornelia Hammans, Bronze, Metal
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I created this work to show that inside and outside of humans are different. Nobody can know how kind you are. This is a sculpture of a human sitting down
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Cornelia Hammans, Bronze, Metal
Austausch - Bewegung
Kirschbaum, auf Metallplatte montiert
Lotti Meschter, Wood
CARACTERÍSTICAS Abstracto. Para su elaboración se utiliza tabla de roble antiguo y madera de boj. Es un cuadro, quizás un bajorrelieve. Con las tablas de roble se ha formado el fondo del cuadro y el marco. Con el boj se han ido realizando figuras que se han ido uniendo entre ellas y pegado al cuadro. El acabado general es el lijado y encerado. DESCRIPCIÓN El auzolan es una figura o forma de trabajo que todavía persiste en la zona norte de Navarra. Significa trabajo vecinal y es una prestación que ofrecen los vecinos de un pueblo de manera gratuita en beneficio de lo público. Se reúnen las gentes del lugar con el objetivo de realizar mejoras, arreglos o acondicionamiento de lugares para determinado uso. Cada persona aporta sus conocimientos, medios de trabajo y herramientas. Antaño por este método se cubrían todas las necesidades generales de una población: traída de aguas, ejecución de caminos, acondicionamiento de edificios públicos, arreglos en el alumbrado, restauración de fuentes, etc. Hoy en día son ejecutados por empresas privadas. En la actualidad está más enfocada hacia aspectos lúdicos y festivos. En el cuadro se representa figuras unidas por un objetivo común. Siempre hay alguno que no participa del trabajo pero se aprovecha de los beneficios.
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FF 15
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The Minotaur, according to Greek mythology, was a beast with a man's body and the head and tail of a bull. The ancient Greek god of the seas, Poseidon, had sent to the king of Crete, Minos, a white bull to be given as a sacrifice to please Poseidon himself. When the king kept the white animal as his own and sacrificed another bull, Poseidon punished him by instigating his wife, Pasiphae, to fall in love with the animal, to sleep with it and finally to give birth to the Minotaur. The "Minotaur" is cast in bronze and fixed to a pedestal which itself is a residue of the bronze casting process.
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gesprengte Normen
Ahorn, Bitumen, auf Metallplatte montiert
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der Funke
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Multiple and layering concept of works.
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