„The sculptures come from my paintings"
sculpture network met with Stefan Szczesny and talked with him about the start of his career, his works and start´18, the International Celebration for Contemporary Sculpture.
In the 1980’s you had already made a name for yourself internationally as a painter and as one of the founders of the „Neuen Wilden“. What did this movement look like?
We were a small group, mainly of German artists, who wanted to break away from the abstract, conceptional and minimal art which had become academic in those days. We started to incorporate figurative insinuations into our works, charging them with emotions, but the works still remained abstract. This form of expression had a lot of parallels to the pop music of the time. The music scene back then was also heavily influenced by emotions and was based on reality. After that I organized the well-known exhibit „Rundschau Deutschland“. That was the first exhibit that I carried out in Munich and that was also the birth of the „Neuen Wilden“.
Your career started with painting. How did you switch to three-dimensional art that is characterized by the „Neuen Wilden“, just like your paintings?
After having concentrated on painting for a while I started picking elements out of my paintings. These selected elements in turn became sculptures. The sculptures come from the paintings, as it were. In addition to that I also occasionally made smaller ceramic works , for example a vase. These got bigger and bigger and became sculptures. In general my first figures were rather small - in the meantime they are sometimes larger than life. I have been very successful with my sculptures from the beginning. Since sculpture is associated with greater expenses and every movement costs a lot of money for the sculptor, three dimensional art only occupies a small share of the visual arts in comparison to painting.
My new sculptures are really very colorful. After I had constructed over 200 black shadow sculptures I was ready to adopt a new method. Since I had already worked intensively with color in my paintings, I also started using them in my sculptures. In the meantime there are almost 20 of these new colored sculptures. All of them portray women and are four meters tall with the base. The subject of women has been present in my work since very early on because women are my counterpart and for me they represent life.
What makes the exhibit in the Althoff Grandhotel Schloss Bensberg so special?
With 300 to 400 participants the vernissage on September 24, 2017 was a great success. The beautiful location results in an unbelievable interaction between the surroundings and my works. The landscape and the architecture have an incredible effect on the colorful sculptures which are located on the castle grounds. The view of the castle, as well as the view from the castle windows into the distance is simply breath-taking.
The exhibit ends on January 28, 2018. On this day it is also possible to admire your works in your studio - namely during start´18, the International Celebration for Contemporary Sculpture, an event which you are hosting for the first time. How did you hear about start’18?
I saw the start´18 event on the website and social media presence of sculpture network. I recently became a member and saw all their different activities. start´18 looked like a very good opportunity to show my sculptures in their usual environment namely in my big and park-like garden around the studio. I like that the guests can choose their preferred event for the day from a large global selection of programs. Plus, it is a good chance for the artists to present their works, to make new contacts and reactivate and strengthen old ones.
If you want to see Stefan Szczesny’s color sculptures then visit the Althoff Grandhotel Schloss Bensberg before January 28, 2018. Or if you are interested in meeting the artist in person, then register today for his start´18 event. Register Now!
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