About us

sculpture network is an international non-profit organization for the support and promotion of three-dimensional art. We think it is important that those art forms that offer something to experience and touch have their say; especially sculpture, as well as light art, installations, land art and many more. For 17 years, we have been networking with different components of this flourishing scene, from art lovers to artists, collectors, curators and students to museums, galleries, and service providers. They all meet virtually on our platform or personally at one of our events. With us, the whole world comes together in the name of sculpture!

sculpture network - a global family

sculpture network has now been around for 17 years. During this time, our network has grown steadily and we have become even closer together in this process. Our current ~1000 members are spread over 40 countries. Through our newsletter and social media channels, we are in contact with over 40,000* other friends and fans. No matter if we live in Iceland or Spain, we are connected through our love for three-dimensional art and have grown into a close community. Many connections have been made including friendships, co-operations, and business relationships. Collectors have found their favourite sculptures, artists have found their inspirations, and art lovers have turned a hobby into a passion. Many institutions of the art market (whether museum, gallery or foundry), profit from their cooperation with sculpture network. We differ from each other in many ways: our cultural backgrounds, our languages, our gender, our religions, our own biographies... but at the intersection of sculpture, we all come together. Through this medium we can communicate and speak a common language. We have recognized that this language is spoken by the most diverse people from all different fields, which is why sculpture network also brings people from various backgrounds together. We are not exclusively a platform for art professionals, but for everyone who relates to sculpture, whether professionally or in their free time.
*Status: May 2019

Why the focus on sculpture?

Today's art world focuses strongly on images: of course, that's also practical. A picture can be photographed, and a photograph can be printed, reproduced, and copied. Anyone can have the Mona Lisa hanging in their living room - at least as an art print. A painting or photo is flat and comparatively light; it can hang on the wall and requires little space. Sculpture, on the other hand, makes dirt and work – it's heavy, sometimes takes up a lot of space, and it is generally quite impractical. The training for sculptors is long and complex, and prospective sculpture artists must first try out a variety of materials – such as wood, marble, or bronze - before they choose their own direction. This is not only time-consuming, but also expensive. However, you can touch sculpture, experience it, and see it from different perspectives. Even if sculptures can be photographed, part of the experience inevitably falls by the wayside. The society of the digital age is obsessed with images that can be received anywhere and at any time, immediately. Sculpture, on the other hand, needs time because only by direct experience, through touch, can a sculpture to be fully grasped. That is what makes this sculptural art form so magical, and that is why we are all here.  

Tony Cragg, Congregation, 1999. sculpture network International Forum 2012. Photo: Peter Fischer-Piel
Tony Cragg, Congregation, 1999. sculpture network International Forum 2012. Photo: Peter Fischer-Piel 

Everyone is allowed to be with us!

The beauty of three-dimensional art is that it is universal: every culture has a sculptural tradition. Every person inevitably comes into contact with sculpture in public space - be it the Statue of Liberty or a performance in public space. Sculpture is therefore already inclusive of itself. We transfer this wonderful quality to our network: every member of our network can become a member, whether collector, student, artist or simply an art lover. At sculpture network, we are also firmly convinced that every artist has his or her own market. Quality discussions are held everywhere in the art business. We do not want to join them. It should not be us who evaluate art, but the public. So that this possibility can be offered, we make the platform available for artists to come to the public. Professional artists of all kinds and different quality levels are allowed to present themselves to us. We do not see this as an encumbrance, but as an opportunity. An opportunity for more diversity and openness in the art world, which is all too often crushed by conventions and subjective quality discussions. That's why we're 100% behind this unpopular position.

The personal contact: Irreplaceable!

sculpture network is also one of the big winners of digitization. Thanks to the possibilities offered by the Internet is our network and the close relationships around the world possible at all. However, just as you have to experience a sculpture yourself in order to learn to love it, you also must get to know a person yourself in order to build a relationship. That's why we make personal encounters possible through our events and thus help to create meaningful and lasting contacts. On our Dialogues members and interested people can take a look behind the scenes. Museums, service providers and galleries have the chance to present themselves to a special audience. At the Sculpture Network Lab, high-level discussion is held on topics concerning society and creative thinking. The International Forum brings together members, friends, and interested parties every two years over a long weekend for intensive encounters and discussions on a selected topic and an exciting program. Our art trips allow whole groups of sculpture network members and fans to grow together and lay the foundation for many a friendship. Our annual highlight: the International Celebration of Contemporary Sculpture, brings us closely together, as we celebrate together at the same time in many different places in the world - and are thus very close in spirit. In a number of countries, Coordinators represent sculpture network on site, providing advice and support to the members in the region, organizing events, and always the friendly face of sculpture network, representing our ideals and mission full of enthusiasm.

Exhibition European Sculpture 2010. Photo: Oskar HennExhibition European Sculpture 2010. Photo: Oskar Henn

Our digital offer

On our website, we offer a wide range of services related to sculpture. Exhibitions, fairs, biennials, workshops, and much more about three-dimensional art can be found under "What’s on". Artists and curators use our carefully researched opportunities page to find art competitions, public commissions, calls, artist in residences, and many other offers. Museums, galleries and public clients can advertise their own calls here, as well. Our online magazine is the info portal for three-dimensional art. Here, visitors can browse through weekly new articles, interviews, and essays, on the subject of sculpture, art, exhibitions, and living in the art world.

Our roots

sculpture network was founded in 2004 by Ralf Kirberg and Hartmut Stielow. Originally, the association was planned as a European initiative of the US-American organisation International Sculpture Center, but soon developed a life of its own. The focus was on personal contacts and information about sculpture as an art form. From the very beginning, the association had also dedicated itself to international networking in the field of three-dimensional art. With first symposia, events, and member meetings in Berlin, The Hague, Zurich, and many other places in Europe, the first 500 members had already been won in 2008. Many sculpture network members have remained loyal to us since this initial stage. With them behind us, we have developed into a competence centre for three-dimensional art in Europe and beyond. Since 2017, we have intensified our efforts in the editorial area and inform our members, fans, and followers continuously about the news of the European and global sculpture scene.

omas Saraceno, Vanhaerents Art Collection (Bruxelles). sculpture network International Forum 2016. Photo: Christine Chilcott
omas Saraceno, Vanhaerents Art Collection (Bruxelles). sculpture network International Forum 2016. Photo: Christine Chilcott

Our vision

For most of us here at sculpture network, three-dimensional art has a particularly deep emotional meaning. Beyond this emotional meaning, this art form has a further dimension. It can move in the social sphere, it can pick up and discuss current topics, and it can inspire reflection and action.  
We would like to see a world in which three-dimensional art of all kinds are not a marginal phenomenon, but at the centre of a social discourse. That it can and may provoke discussions, changes of perspective, critical questions, and challenge our understanding of art, as well as our view of the world.
Enthusiasm and passion are our most important export goods in this mission. We want to provide an environment for new contacts and bring people together who might otherwise never meet. We want to bring people into contact with three-dimensional art who otherwise rarely have points of contact with this art form. And for those who have already fallen for it, we want to give 1,000 more reasons to love sculpture: through our articles, our events, and above all, through the members of our network. At sculpture network, everyone should get what they need. Artists may need support in presenting themselves, curators are looking for suitable artists, museums want to present themselves to an interested audience, and others simply want to immerse themselves in the art world and see where it takes them. We are working towards a future in which we can meet and unite all these different needs in order to make this very special art form big and strong.

A word of thanks

As a non-profit organization, we finance ourselves largely through membership fees and donations. We would like to take this opportunity to thank our members and donors, but also the many volunteers who support us every day: without you we would not be where we are today! We are overjoyed that, with your support, we can continue to inspire people all over the world with three-dimensional art. We are happy about everyone who wants to get involved - there are many possibilities.




Marina Bauer
Coordinator Croatia
Anne Berk
Coordinator Netherlands
Tel.: +31 75 68 46 840
Neus Bergua
Coordinator Catalonia
Tel.: +34 66 96 44 115
Stefanie Krome
Coordinator Carrara/Tuscany, Italy
Tel.: + 39 05 85 02 63 13
Ien van Wierst
Coordinator for the Balearic Island
Hilde Van Canneyt
Coordinator Belgium
Anemone Vostell
Coordinator Berlin
Marek Wolynski
Coordinator United Kingdom
Micheal Zwingmann
Coordinator Lower Saxony


We would like to thank all our current and past sponsors, partrons and partners for their generous support, for believing in us and for supporting sculpture. Through memberships at international organizations and the cooperation with national artist associations we are optimally connected. We cooperate continuously with major art fairs and sculpture exhibitions. Our members receive free tickets, can win tickets or take part in an exclusive Call for Artists.


We are Europeans who had and have the privilege to experience the achievements of the European idea which our parents and grandparents have been fighting for.

We observe and are concerned about various developments back to nationalism and autocratic systems, which systematically try to attack those achievements like independency of press and freedom of speech, independent judiciary, protection of minorities, free economic flow and open borders in an open society. All this is based on cooperation and a democratic social model.

We are artists or understand art as an excellent way to emotionally reach out to people to get into a dialog.

We believe in Europe!

We believe in diversity!

We believe in an open society!


The Waldemar Bonsels Foundation is a public foundation based in Munich. It was established on 31 July 1977, the 25th anniversary of the death of the writer Waldemar Bonsels, by the widow of Bonsels, Rose-Marie Bonsels. The foundation is active both as a sponsor and operationally - on the one hand it supports the projects of third parties, on the other it also develops its own projects. In doing so, it pursues the following charitable goals:

  • Promotion of science and research
  • Promotion of art and culture
  • Promotion of education, popular education and vocational training.

Discovery Art Fair Cologne


GLASSHOUSE is an International Magazine of Studio Glass and informs on the key issues of studio glass, stained glass and artistic design. It is published four times a year and sculpture network members receive a free copy.

Milano Scultura

Milano Scultura is the only Italian art fair with an exclusive focus on contemporary sculpture. It has been held in Milan since 2015 at the Fabbrica del Vapore.

Arte Laguna Prize

Arte Laguna Prize is an international art award, aimed at enhancing Contemporary Art.  Thanks to our collaboration with Arte Laguna Prize, sculpture network artist members obtain a discounted application fee to apply for the contest.

Florence Biennale

The Florence Biennale is the major contemporary art exhibition in Florence (Italy), where it is regarded as an outstanding showcase of the international contemporary art production. Every two years the Florence Biennale enlivens the Medicean city with a programme of collateral events such as conferences, displays, performances, workshops and lectures. All this with a view to offer artists and their audience the opportunity to engage with art and culture, and know more about the theme of each edition of the biennial.


SCULTO is an art fair specialized in contemporary sculpture taking place in Logroño, Spain

Nord Art

Since 1999 the NordArt has established itself as one of the largest exhibitions of contemporary art in Europe which takes place anually in the summer months. The NordArt is an overall work of art in its own right and is designed as such each year. More than 200 international artists, selected by a jury, present a comprehensive panorama of contemporary art. Each individual work not only speaks for itself but also creates new perspectives when seen juxtaposed against the unique backdrop offered by the Carlshütte and the adjacent historical sculpture park.


Sculptorvox is a limited edition print run publication dedicated to sculpture. Each volume contains written and photographic contributions from talented individuals that have broadly and creatively interpreted, discussed and responded to the theme by exploring associations, presenting stories and constructing narratives.

Sydney Sculpture Conference

Presented by sculpture by the sea at the Sydney Opera House in partnership with the Central Academy of Fine Arts, Beijing.
Talks and panel discussions by leading international and local sculptors, educators, curators and collectors.

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