Uwe Schwarz


Bronzefigur auf bedruckten Acrylblock


Abmessungen : 21 cm x 16 cm x 16 cm (Height, Width, Depth)
Gewicht : 1 kg
Jahr : 2009
Material : Bronze, Mixed Media, Bronze, Kunststoff
Bearbeitung : Guss
Stil : figurativ, symbolistisch, sozial

Uwe Schwarz

Auch im neuen Jahr: Figur halten!

auch interessant:

Comrades I - XI
Used and found materials are bound together in a confined round space by copper wire or thread. This series of works dates back to 2017 and has become a vivid image for 2020/2021's governmental refinements people all over the world experienced.
Katharina Forster, Holz, Mixed Media
Meine Trinity steht für "Körper - Geist - Seele". Sie formt sich wie ein Schlüssel ins Leben - unzertrennbar, unverzichtbar - keines darf vernachlässigt werden. Ich kann diese Skulptur in verschiedenen Größen anbieten. Sie eignet sich vom Volumen her auch als große Installation im Außenbereich. Durchblick, Rahmen, Fokussierung durch die Öffnungen.
Cornelia Hammans, Bronze, Metall
Inside of me 1
I created this work to show that inside and outside of humans are different. Nobody can know how kind you are. This is a sculpture of a human sitting down
Aziz Anzabi, Bronze, Metall
Welle / Wave
Live with Sweep Bronze + V2A Stahl
Cornelia Hammans, Bronze, Metall
Chaos & Harmony
200 cm high plaster model. It will be casted in bronze to show it on the Architecture Exhibition "Time - Space - Existence" of European Culture Centre in Venice. Opening 22.May to 21. November 2021. It will be setup inside Giardini della Marinaressa near Giardini Biennale Venice.
Cornelia Hammans, Bronze, Metall
Austausch - Bewegung
Kirschbaum, auf Metallplatte montiert
Lotti Meschter, Holz
CARACTERÍSTICAS Abstracto. Para su elaboración se utiliza tabla de roble antiguo y madera de boj. Es un cuadro, quizás un bajorrelieve. Con las tablas de roble se ha formado el fondo del cuadro y el marco. Con el boj se han ido realizando figuras que se han ido uniendo entre ellas y pegado al cuadro. El acabado general es el lijado y encerado. DESCRIPCIÓN El auzolan es una figura o forma de trabajo que todavía persiste en la zona norte de Navarra. Significa trabajo vecinal y es una prestación que ofrecen los vecinos de un pueblo de manera gratuita en beneficio de lo público. Se reúnen las gentes del lugar con el objetivo de realizar mejoras, arreglos o acondicionamiento de lugares para determinado uso. Cada persona aporta sus conocimientos, medios de trabajo y herramientas. Antaño por este método se cubrían todas las necesidades generales de una población: traída de aguas, ejecución de caminos, acondicionamiento de edificios públicos, arreglos en el alumbrado, restauración de fuentes, etc. Hoy en día son ejecutados por empresas privadas. En la actualidad está más enfocada hacia aspectos lúdicos y festivos. En el cuadro se representa figuras unidas por un objetivo común. Siempre hay alguno que no participa del trabajo pero se aprovecha de los beneficios.
Angel Iribarren Arlegui, Holz, Naturstoffe
FF 15
H 60 x B 2ß,4 x T 1,2 cm Abstand zur Wand: 4,5cm HPL, Lack, Acrylfarbe Edition, 10 Stk Die Plastik spielt mit Farbkontrasten und Lichtreflexionen, die das Auge die Plastizität des Objekts nicht immer fassen läßt. Es kann vertikal oder horizontal aufgehängt werden. Alle notwendigen Utensilien sowie Montageanleitungen sind im Paket beigelegt. _____________________________ H 60 x B 2ß,4 x T 1,2 cm Distance to thewall: 4,5cm HPL, varnish, acrylic paint Edition of 10 pieces The sculpture plays with color contrasts and light reflections that do not always allow the eye to grasp the plasticity of the object. It can be hung vertically or horizontally. All necessary utensils and assembly instructions are included in the package.
Alexander Lorenz, Mixed Media, Holz
The Minotaur, according to Greek mythology, was a beast with a man's body and the head and tail of a bull. The ancient Greek god of the seas, Poseidon, had sent to the king of Crete, Minos, a white bull to be given as a sacrifice to please Poseidon himself. When the king kept the white animal as his own and sacrificed another bull, Poseidon punished him by instigating his wife, Pasiphae, to fall in love with the animal, to sleep with it and finally to give birth to the Minotaur. The "Minotaur" is cast in bronze and fixed to a pedestal which itself is a residue of the bronze casting process.
Alexandra Kapogianni-Beth, Bronze
Thüster Kalkstein, Schwarzweiß-Belichtung, Acryl
Thomas Lucker, Stein
Ur-Sprung — Eigen-Arten
Kirschbaum, auf Metallplatte montiert
Lotti Meschter, Holz
Bronze | 2020
Bronze | 2020 | schwarz patiniert | 26 x 18 x 13 cm Verbundene Elemente, Bronzeguss nach dem Prinzip der verlorenen Form. Original und Unikat. . Bronce | 2020 | black patinated | 26 x 18 x 13 cm Bows connected, made by the lost wax method of molding. Original and unique.
Heike Weber, Bronze
Receiving (rape)| caring - protecting - influencing
CARING PROTECTING INFLUENCING These are images of a group of nine cradle shaped objects. They convey a variety of perspectives we can choose from when looking at the process of receiving a child as well as looking at possible relationships between us and our children, might they be born already or not, might we be their biological parents or not.
Katharina Forster, Holz, Metall
Frei - Raum
Ahorn, mit Kirschbaumsockel auf Metallplatte Weitere Standort: Belpberg, Sigriswil. Rubigen
Lotti Meschter, Holz
gesprengte Normen
Ahorn, Bitumen, auf Metallplatte montiert
Lotti Meschter, Holz
Sea Horse
Sea Horse is inspired by a small antique bronze sculpture found in a temple dedicated to Poseidon, the god of the sea, and situated nearby Kalamata, my hometown. It provides an insight how people living about 2.500 years ago in Greece thought a mythical horse living in the sea would look like. The rare ancient miniature figurine is on continuous display in the archeological museum in Kalamata and it delivers an impression how mental and mechanical skills can turn spiritual ideas into visual and haptic objects. I do admire the practical way of thinking of the early artists and intend with this modern piece of art to raise awareness for these antique skills. This piece was initially created in plaster and additionally cast in bronze only recently. The bronze stand is part of the sculpture and cannot be disconnected.
Alexandra Kapogianni-Beth, Bronze
Maschinenmensch / Machineman
Andreas Rimpel, Gusseisen / Kubismus
Andreas Rimpel, Metall, Bronze
der Funke
Birnbaum, vom Wetter geschwärzt auf Metallplatte montiert
Lotti Meschter, Holz
Die Liebenden
Darstellung einer männlichen und einer weiblichen Figur sich gegenseitig stützend.
Manfred Reinhart, Marmor, Granit
Void is an installation about energy, a person who is not there, but whose presence can be presumed, and a solid wind blows from the east. The two are connected, but the 'how' is an open story.
Karin van der Molen, Holz, Naturstoffe
Dandelions Dubai
Motive of the project were dandelions which are present in the nature but are made of acid resistant stainless steel electropolished. They are transferred from micro to macro scale, by modern form but also related to nature.
Mirek Struzik, Metall, Stahl
Unsichtbares sichtbar machen, der Seele ein Gewand
Manfred Reinhart, Marmor, Granit
Dandelions Wroclaw
Motive of the project were dandelions which are present in the nature but are made of acid resistant stainless steel electropolished. They are transferred from micro to macro scale, by modern form but also related to nature.
Mirek Struzik, Licht, Metall
Finaly polished bronze Metal plate powder-coated
Rainer Haindl, Bronze, Metall
Sehnsucht, Integumentum, Denker, Vermächtnis
Manfred Reinhart, Stein, Marmor
TÊTE 0110
Edition 2/8 Price with wooden base (10X10X10cm)
Patricia Dreyfus, Bronze
A Moment in a Glance 1917-2017
A young man, bald shaven, holding a skull in his hands. We don't know what he thinks, what he feels, who he is. His eyes are closed and he seems lost in concentration, his fingers rest firmly on the skull of another soldier. Was it a young man who died a century ago in France, perhaps? One stares at us, the other looks inside.
Margarete Adler, Kunststoff
Finaly polished bronze with metal plate, powder-coated
Rainer Haindl, Bronze, Metall
Tête 0264
Edition 2/8 Price with wooden base (10x10x10cm)
Patricia Dreyfus, Bronze
Raya ( Hibiscus )
Bunga Raya, with raya meaning celebratory or grand, the flower literally means “celebratory flower”, to reflect the celebration of unity in a multicultural nation.
Anniketyni Madian, Stein, Naturstoffe
Drei Stelen
Ibbenbürener Sandstein, Temperafarbe
Claudia Pleß, Stein
The cuboid-like shape is a modified Platonic volume. It becomes a module in an architectural structure or a setting that can be hidden or visible. Inspired by the traces of old buildings one might find in an ancient place, the installation calls to mind how these crumbling individual components now only serve as silent witnesses. However, at one time may have been the key element of a wall, or ceiling, etc. Regardless of their prior functionality, the aesthetic potential overrides the previous story.
Toma Gabor, Bronze, Keramik
Skate boarding
Using a pose from skate boarding, this female figurine shows in her body language, a different side of being human
Nicolet Boots, Gips, Textil
Bronzefigur auf bedruckten Acrylblock
Uwe Schwarz, Bronze, Mixed Media
Giant ant
The perspective angles are changing depending on the point of view looking at them.
Gerhard Petzl, Bronze, Metall
Bali Tengkebang #1
Translation of Pua kumbu textile pattern that originated came from Borneo, Malaysia
Anniketyni Madian, Holz, Installation
Bali Tengkebang #5
Translation of Pua Kumbu textile pattern into sculpture.
Anniketyni Madian, Holz, Holz
Suckling´s Benefit
Gummi, Kunststoff, Metall aus der Serie: Orgelpfeifentorsi, 2001/2002
Claudia Pleß, Mixed Media
Bronze Female Figure (40x60) Elegant naked female figure seeking for balance on an egg. The action is terribly difficult to perform but it lets to the uncovering of the true inner balance which leads to real eternal and deep happiness.
Anna Pirrello, Bronze
Kerasu Jaru
Translation of Pua Kumbu textile pattern into sculpture.
Anniketyni Madian, Holz, Installation
Mother´s Backbone
Wolle, Kunststoff; Holz, Metall aus der Serie_ Orgelpfeifentorsi, 2001/2002
Claudia Pleß, Mixed Media
Precarious times
Ephémères - Art Contemporain Sud Dordogne, Couze (France) Site: facade of an ancient paper mill Materials: foamrubber, wiremesh, cement, plaster, pigments
Cornelia Konrads, Installation
Warming Torso
Wolle, Jute, Gummi, Metall aus der Serie: Orgelpfeifentorsi, 2001/2002
Claudia Pleß, Mixed Media
Pärchen, abstrakt
Pärchen, abstrakt auf Steinsockel I Unikat I Aluminiumguss
Bettina Kohlen, Sonstige
iLlegal housing 2018 / We are here
iLlegal housing 2018 "We are here" Spain, Mediterranean Sea + St. Marienkirche, Parchim, Germany
Herbert Hundrich, Kunststoff, Installation
Kayu Betimbau #2
Multiple and layering concept of works.
Anniketyni Madian, Holz, Installation
Turmspringerin I Bronze-Stahl-Stein I Unikat
Bettina Kohlen, Bronze, Stein
Im Wandel II (Nr. 60)
Stele aus Thüster Kalkstein, teilpoliert, mit Edelstahlhalter
Silvia Withöft-Foremny, Stein
Flugobjekte - Internationale Kunstausstellung auf dem Weinberg Eining, Neustadt a.d. Donau (Germany) Site: former vineyard, view across the Danube river Material: tree trunk, rubber, bench, paint
Cornelia Konrads, Installation
Embuas #2
Multiple and layering concept of works.
Anniketyni Madian, Holz, Mixed Media
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