Christine Candolin

Installation in 3 rooms

Installation containing text excerpts from Shakespeares dramas, the chinese philosoph Chuantze´s texts and a projection of a rose on fa olded metal mesh.

FACTSHEET:

Jahr : 1995
Material : Installation, Mixed Media

Christine Candolin

presentation of my work / visions behind them / between matter and mind

“Thoughts, whether in philosophy or in science or in art, cannot be separated from the thinker, but they cannot be separated from the community of thinkers and speakers either.” *

I have been working with installations since early 1980s.
Evolution of the human mind, especially the interconnectedness of matter and mind and the emergent properties connected to this, are the important constituents of my studies, and can be seen as allegorical reflections in my work.

The postmodern research on cognition and perceiving and our actions in the world has a relevant part in the ideas behind my working. My studies have branched from philosophy, biology to semiotics, developmental psychology and the neurosciences.

I´m wondering how we effect our world by perceiving it, experiencing it and living it. This is what I mean with the expression “matter and mind“. For where does the mind end and the “world” begin?

For me the world is not a given place outside us, my approach is phenomenological; the world unfolds in correlation with our own cultural and mental development, with our broadening cognition and knowledge. This is an interdependent and ongoing process. -I referred to this in the 3-room installation called “Matter & Light” in 2008 at the Amos Anderson Art Museum in Helsinki. In this exhibition I studied the ideas of the evolution from matter to consciousness, thought and meaning.

My installations are allegorical reflections on this exploration. Can I express myself as an artist on this subject matter? Yes I can and I should, as art is the medium where you can approach the world from a different angle; art is therefore special vantage point to the world.

-As Maurice Merleau-Ponty once said: “ To interpret and express “that which is” -is an endless task both for a philosopher and an artist.

This is why I´m not trying to find scientifical answers by my artwork, but rather to reflect questions, thougths, feelings and perspectives. My installations manifest those impressions which cannot be precisely expressed by words. They are perhaps visual markings of “that which is”.

My art is space-specific. I’m often assembling my installations to fill several rooms, so that the subject matter can be sensed through the connotations of the combined materials, form, and thought. Some of the materials I use have a transient character, like water, breeze, light, grease, and pigment powders. But also stones, steel, glass and other reflecting materials are often parts of the installations. I prefer to create installations in which beauty combines with austerity, meaning and thought.

In my latest work I ́ve been concentrating on video-installations. By creating big wall projections I continue with my studies on human perceiving and identification. Also studies on cultural and social borders as well as mental locations and the phenomena of otherness, exclution and alienation have lately also been the subject matter behind my working. *Quotation by Siri Hustvedt

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!WATER!
the installation !WATER! 300 waterbottles in a steelshelf. Videoprojection, movement sensor, vibrator
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Stonebasins with dripping water 5 basins
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The Dance
The DANCE / A videoinstallaion a videoprojection on the wall, a reflection on a black acryl sheet on the floor.
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Contemplation 2014
Contemplation 2014. Porcelainplates filled with Reflection on the wall.
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The Journey 2018
The Journey / One Glassfibre boat in a dark room / videoprojection into the boat / a reflection on a black acrylic sheet on the floor.
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In Tempus Praesens / Videoprojections of the rapidly bypassing landscape on four walls. The sound of a didgeridoo. The sign s of the elements on acrylic sheets on the floor.
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The Butterflyeffect/ 12 stands with a serigraphy on glass-sheets. One sheet 80cm x 60 cm. Situated on the terrace of university students´ recidence.
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Room for Silence
Oilstick-paintings on transparent canvases. 10 sheets in a space.
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De Hominis Dignitate / Ecxerpts of the great speech by Giovanni Pico della Mirandola from 1488. With serigraphy on glass-sheets with dark blue colour. Shadows of the letters on the wall / Situated in the finnish consulate in st.Petersburg Russia
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De Hominis Dignitate / Ecxerpts of the great speech by Giovanni Pico della Mirandola from 1488 with serigraphy on glass-sheets with dark blue colour. Shadows of the letters on the wall / Situated in the finnish consulate in st.Petersburg Russia
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Untitled
videoinstallation
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The Waterpainting
video on screen
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Five Icons
Installation / Serigraphy on five x five glassheets. A study in movement.
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The Rose
A rose in an iceblock melting slowly into a waterbasin underneath A poem has been written in the botton of the waterbasin: "I swam, the sea was boundles, I saw no shore. Tanit was merciless he answered my prayers. You who drown in love, remember me." An inscription on a carhagesian funerary urn of a noble lady. 290BC.
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Matter & Light
installation in 3 parts
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Wer wenn ich schriee
Installation wiht glass-sheets and text excerpts from Rilke´s Duineser elegien
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Matter and Light 1
Lightprojektion on metalmeshes hanging in midair.
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Void Charged
Two black acrylic sheets standin at a wall. Smaller steelsheets leaning at them. White porcelain plates lying on the floor in different layers.
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The one hundred talismanic forms of the character Fu´-happines
White Chinese characters have been made on a mirror and on numerous small glass-sheets standin on different levels above the mirror.There are 100 different sighn made in an ancient calligraphic style that has been used in China between the years 221-207BC. The signs have been made with potato flour.
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Construction
Balck velvet on glassheets
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NING JING ZHI´YUAN / from silence your thoughts find their way far
The title has been written with blue-coloured grease on 90 glass-sheets . the sentence has been written with chinese characters.
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The Ephemeral Garden
A charcoal-drawing on the wall, concrete slabs on the floor
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Ten monoliths in a space
ten monoliths made of steelbars filled with steelthreads & wire
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